Quickly

Sometimes I find the most interesting railway photos happen by accident or at least when I have no time to think about them. Sometimes, you just happen upon something and it's moving fast so you have to capture it without any preparation. I think this newfound desire for spontaneity stems from my boredom over modern railway photos and the relative scarcity of diversity in freight train consists these days. After all, if all we're doing is taking shots of the head-end power of freight trains, which are themselves long lines of containers or grey hopper cars, then things will get stale quickly.

That's how I feel anyway. 

Since June, I have had several chances to capture railway photos in Toronto, Sarnia and Stratford, as well as places in between, as my family made its annual pilgrimages to see family and enjoy the Canadian summer. I want to share a few unplanned shots as a way or promoting spontaneity in rail photography.

The first shot I captured as my family made its way to our hotel in the Toronto suburbs for our short weekend in the city. East of the city, CN has this bridge over Highway 401. I have caught trains on this bridge a few times. This time, I caught a string on container cars trundling over the busy road. The sight of these containers isn't all that interesting on its own, but I like the overall image, with the busy highway very much part of the scene. 

Here's a closer shot, with the highway sign very much a part of the image. The angle of the tracks over the highway becomes more noticeable as you pass under the line. I like this shot as well. It's something different, anyway.

On the same trip, I caught the tail end of an eastbound CN freight train around Ajax, with some borrowed power at the end. I was in the passenger seat, shooting across the highway at the time. It would have been cool to pull off a better shot, but the traffic and highway signs conspired against me. Still, it's a shot of something different.

 

 

I had a few other shots in this sequence, which show more of the power, without the highway sign, but those shots were equally imperfect due to the shrubs near the tracks and the traffic heading eastbound on the highway. I like this one since it shows the BNSF logo and the front of the unit. Again, this is far from an ideal shot but it at least captures movement and something atypical. 

 

I have noticed, from my limited observations this summer, CN is making use of a fair bit of leased power. I have more shots from Sarnia that bear this out, but that will wait for another time. 

 

Closer to home in Ottawa, my daughter took this shot of a passing eastbound Via Rail corridor train making its way past Woodroffe Avenue en route to Ottawa Station. Whenever she is in the car and a train passes, she tries to get a shot for me when I'm either not present or driving. I've taught her well. 

 

 

Yes, it's another shot of a Vanture set in Ottawa, which I have in spades, but I like that it has the traffic in the shot and the crossing guards activated. Again, there is a sense of movement and drama in this shot. Whenever I try to capture images in and around Ottawa, I try to take this approach to Via Rail corridor trains. If I cannot find an element that sets the shot apart, I won't take it. I always try to find a bit of the cityscape in my images. I like this element of the image. 

 

Finally, in my trip to Sarnia in July, I was making my way around Sarnia Bay when I stopped for a moment to take a quick shot of the Cargill elevator, which is in the news in the city these days. You can make out a lone crossbuck in the shot, minus crossing signals. This gives you the idea that the line is not terribly busy. This is the end of the Point Edward Spur, which exists the serve the elevator. It once extended into Point Edward itself, but was cut short decades ago. You can just make out a hopper in the shot. 

 

Cargill has been in the news of late as it is trying to block a city plan to build housing a few hundred metres from this operation. The development is slated to be situated on the site of a former harbourfront restaurant. Cargill claims there are regulations preventing residential developments within a set distance from operations like this elevator. The company says the noise and dust from the elevator will become a source of friction in the future. It wants to avoid any future problems and has appealed to the province to block the development. 

 

Some area municipalities near Sarnia, with substantial agricultural economies, support Cargill, as they do not want to see any disruption to this operation's business, which would have an impact on local farmers.

 

The city, and another local restaurant, which is within that restricted area near the elevator, both feel there is no potential issue. The matter will be settled in the coming months.  

Thanks to everyone for their best wishes on the blog hitting 500 posts. This is post 501. Onward we go.

Wrong place, right time

After the school year was through, my family headed out of town to Toronto to do some touristy things. While there, I was able to sit trackside for a little while, taking in the continuous movement of trains in and out of Union Station, most of them GO Trains as well as the Union Pearson Express. This time around, my family decided to stay at a hotel near the airport and commute into the downtown aboard the UP Express. This made our trip much easier, as the downtown was packed with fans for a Friday World Cup match at BMO Field, uh Toronto Stadium. 

I was quite impressed with the overall experience of riding the UP Express. At our hotel, you could catch an hourly shuttle to the airport, where the UP Express leaves from an elevated platform, high above ground level. The train itself is quite comfortable. The seats are very much a step above what you would expect to find on a commuter train. The fare for the downtown service is about $12, depending on your age. There are also family passes, which we used several times.

In total, the trip takes about 20 minutes. The cars feature lots of storage space for luggage, which is to be expected, given its purpose in serving the airport. What I did not expect was that the train is very much in use as a local commuter connection for Toronto residents. It makes stops at Weston, Mount Dennis and Bloor before ending its eastbound journey at Union Station. While aboard, I took a quick shot of the layup yard west of Union Station, where a few GO Trains were parked before heading back into service during peak times.

On our first day downtown, my wife took my oldest daughter to enjoy some theatre while my youngest wanted to go to the Hockey Hall of Fame, which is just a quick walk from Union Station. We had a good time there, as the Hall of Fame is very much geared toward young people. When we were done, we proceeded back to Union Station and took a quick walk along the Skywalk, which is an interior pathway from Union Station over the tracks to the CN Tower. At that point, it becomes an outdoor pathway to the Rogers Centre (I almost typed in SkyDome). 

After a walk to the Rogers Centre and a few photos, we decided to head back to the Union Station food court for an early dinner and a train ride back to the airport aboard the UP Express. I did get a few photos of GO Trains. I thought this one was nice, as the train is emerging from the shadow of the stadium as it makes its way to the station.

But it was on the way back to the station that I saw something I had never seen before.

I had to look twice before I realized I was seeing the Canadian, Via Rail's premier transcontinental* train. I have only seen this train one other time, just barely, as I caught a glimpse of it backing into Union Station from my hotel near the tracks. Those photos were mostly useless. 

(* - transcontinental is a bit of a stretch, as it covers the distance from Toronto to Vancouver in each direction, although in earlier times, the Canadian also served Montreal as well) 

This time around, I was able to confirm with a friend in Toronto that this was indeed Train 2, hours late, in the wrong place at the wrong time, essentially. My friend said the train was overly late arriving at the station and was parked in an awkward spot, as it was getting near to the evening rush hour, when GO Trains would be flocking to the station. It was bad timing for Via Rail, but perfect for me. 

 

Given the glass in the Skywalk is almost universally clouded, I had a hard time finding a decent pane that would allow me to get a good image of the train. This attempt was okay, but I would have liked to find a wider angle.

 

This shot from almost directly overhead was okay as well, especially since I was able to get an evening GO Train in the same frame. However, it doesn't do the Canadian justice, as you cannot really make out the train's true character from this vantage point. You can make out the two F40s, hitched to each other elephant style, but other than that, there aren't a lot of clues to let you know what train this is, unless you are in the know.

 

Here's one final shot, with another GO Train on the left of the frame. Again, since my choices were limited by the quality of the glass I was shooting through, I did the best I could and tried a few different angles. The other limiting factor was that the train was only partially visible from beneath the train shed.

 

That lucky meeting with the Canadian kicked off a week of epic railfanning, both in Toronto and in the Sarnia area, where I was visiting family for a few days afterward. Much more to come from my summer travels. 

Enjoy the drama

I've written a lot this year about how I have changed my approach to watching trains, writing about trains and photographing trains. Quite frankly, I'm doing this because I find myself bored with what's out there. Ottawa is essentially a dead zone for railfanning. I find most fans in this city dedicate themselves to the Arnprior Turn, a short train that services Nylene Canada and sometimes Kott Lumber on Wednesdays, via the Smiths Falls Sub, Beachburg Sub and Renfrew Spur.

Online, I often find railfanning photos are focused exclusively on the engines. That's fine if that is what keeps you motivated, but I just don't find these photos all that interesting anymore. There is more to a train than the power up front. Many photos, I find, are tightly focused on the engine with no thought given to the scenery around the train. Again, if this is what you prefer, I can respect that. It's just not my thing.

Here's an example above of a tight shot of an old F59PH commuter diesel passing by the Metro Toronto Convention Centre last November. I took a tight shot of this unit because they have become increasingly rare on Metrolinx rails in the Toronto area.  

Now contrast that with another shot I took from the same vantage point, but with more context. I won't say this is massive improvement over the top shot, but you can at least see some buildings in downtown Toronto, not to mention the Metro Toronto Convention Centre. Possibly the fact that there are two trains in the frame makes the biggest difference. Still, I like that I can see more of the trains in the frame. What comes after the engine matters as much as the engine itself.

This brings me to a point that I don't think I've made in all my ramblings about rail photography this year. In all my images, I feel that giving your photos context also gives your photos drama. I don't means to be dramatic (pun intended) but I will mention that there is an essential truth to what we all do.

That truth is this. When we stand trackside, we all have a sense of anticipation over what is to come or what may come. When we first see headlights on the horizon, we all feel some sort of excitement, wondering what we might be able to capture. Is there a heritage unit? An old piece of rolling stock? An old legacy piece of passenger equipment? A caboose? These are all possibilities.

Then there's this. As we stand trackside, there is always some sense of drama as these massive machines make their way over polished, smooth rail, on their way to deliver people to their loved ones, or to deliver essential goods to make life easier for us all. There is always drama in the movement of a train.

This shot above, taken last April at the Belfast Road overpass in Ottawa, is an example of drama. You can barely see the P42 in front, as it makes its way down the Alexandria Sub to Coteau, Quebec, where it will then make its way to Montreal via the Kingston Subdivision. Can you see the smoke from the engine? Can you sense the momentum building? Do you see the old LRC equipment with the original Via colours? Did you know the houses to the left of the frame belong to a neighbourhood in the city where all streets are named after letters of the alphabet (Avenue A, Avenue B, etc.)?

Here's one of my favourite images, taken last August in Stratford. I like that you see multiple lines of cars in the yard, the faded paint on the old CN engines, the Stratford Masterfeeds grain elevator, the grass in the foreground, the communications tower and some sky. The local was slowly making its way east through the yard on a hot day. I think you can get a sense of what it was like to be standing where I was near Niles Street and what it felt like to see this train.

In other words, I think we need to enjoy the everyday drama of watching these machines and capture some of that drama. 

It's time to change the approach to . . . everything

I've been trying to put into words what it is that I have been trying to do with my rail photography recently, but I think I've fallen short. That was until I read the comments to my last post when a few fellow railfans commented and the words came to mind. So thanks to Steve and J.D.

And here is how I came to clarify my new approach to rail photography. It started with a memory of what my counsellor told me many years ago when I was struggling with my mental health. His name was Woody and what he told me I never forgot. He said, "No one makes you feel anything. People act and you choose how you REact." It was a revelation to me at the time.

That made me think of how I am approaching my photography right now. I thought back to what my counsellor said and I applied it to my hobby. I have no control over what railways do, which is in line with another thing my counsellor told me. He said, "You have no control over anything but yourself." I am applying those lessons in my photography. Since I have no control over how the rail industry has changed, I can at least control how I approach my photos.

So here is my new approach, boiled down to something more pithy, thanks to recent comments from readers and old lessons from my counsellor.

Railways might be more standardized, boring and faceless these days. I don't know if anyone can argue this. I cannot change this.

If you can't change the trains, change everything else in your camera's frame. That means change your angles, your spot, your height, your lighting, your choice of background, your location, your time of day, your approach to the sky, your . . . well, everything. 

This photo above is perhaps not the ideal image to prove my point, but bear with me. In this frame, you can see the interior lights of my Venture coach and the reflection of the laptop screen of the young lady sitting in front of me. I tried to get images that would avoid the interior glare but this is the best I could do. In the image, you can see a string of GO coaches in the background and part of an old Via F40PH-2 in the foreground. The Via engine looks like it has just completed a run from Montreal or possibly Ottawa. It needs to go through the washing station, for sure. The buildings in the background tell you this is Toronto and the platforms tell you this is near Union Station. Put all those elements together, and you have some context about where this photo was taken. 

As for the computer screen in front of me, I do have a funny story to share about that. I couldn't help but notice via the reflection in the glass that the young lady in front of me was attempting to study for an exam or possibly upcoming test. However, she was also clearly messaging friends, which meant her attempts at studying were distracted at best, and I say that nicely. She was mostly messaging. At times on the ride, I wondered when she would give up the ghost with her studies. Whatever it was she was trading messages about was clearly her main focus.

Here's another image that I have come to enjoy. I took this shot at Via Rail's Windsor Station when I paid a very brief visit to the city in 2024. Here you don't see the front end power or much of the train, but you get to see a timeless scene of people boarding an eastbound train for Toronto at the station. I like that you can see the people in silhouette (sort of), a beautiful fall sky, the coaches and the station. It's a scene that could have been captured 20, 30, 40 or even 100 years ago. The trains and stations might look different but the scene is the same. Timeless. 

How many times do we stop to capture a bit of humanity in our images? After all, trains are still a very human endeavor.

Here's an example of angles. I have more photos of Via Rail corridor trains than anything else, so I have given a lot of thought in past years as to how I can capture images of them in different contexts. This is a shot of incoming Sarnia-Toronto Train 84 making its way into Stratford across Niles Street. I deliberately stepped back and made sure I got the people waiting at the crossing (on the left) as well as the cars waiting on the other side. You can also see the railway stop sign. There are many elements in this image, which made the task of framing the train a bit of a challenge, but I like the end result. So often, I find we obsess over getting the train or locomotive itself but lose sight of getting its surroundings. 

I would have liked to attempt this shot from the other side, but the harsh summer sun meant the shadow side of the train would have ruined the image of that train on the curve.

Here's one final image that I captured in February 2021 on the Canadian Pacific Winchester Sub at Bedell, Ontario. There was a maintenance of way crew working on the South Prescott Spur to Oxford Station, with a genuine CP caboose sitting on the spur, offering a warm place for crews to get out of the biting cold. I took a few shots of the caboose but I made sure to back up and get a shot of all the surroundings, so I could have a complete picture. The fencing in the foreground and the enormous pile of ties gives you can idea of the scale of the work being done here. I only wish I could have done a better job with the morning sky, as it did not turn out nearly as crisply as I would have liked. 

With these images, I hope I have made my new approach clear. It's time to change my approach to everything in my rail photography outside of the trains themselves. I've done this in fits and starts over the years, but I'm really trying to make it a major focus going forward. It doesn't mean I'm not taking standard photos anymore. I am. But at a time when everything tends to look the same, the one major thing about rail photography that provides endless variety is your background. And that is what I am trying to change in my images.

Part of the landscape

Railways are as much a part of Canada's landscape as they are of the country's history. The same can be said for a number of countries. This week, I am busy working on my house, which needs some TLC, but I had a moment Wednesday afternoon when I took my children out for a drive. We encountered a Via Rail corridor train making its final last few kilometres east from Fallowfield Station toward Ottawa Station.

This is the quick photo I took while we waited for the train to slowly pass the Woodroffe Avenue crossing on the outskirts of Barrhaven. This was the shot that was taken while we were stopped.

I've mentioned several times this year how much I am emphasizing railway photography that includes the landscape. I like this shot because you get a lot of landscape elements. You can see the traffic waiting, the trackside signals governing westbound trains approaching Fallowfield Station and a nice profile of the clear winter sky over Ottawa.

Yes, there is a Venture set in profile, which is supposed to be the purpose of the shot, but I don't mind that it isn't necessarily the dominant element in the photo. I would be lying if I said I set up this shot intentionally. The shot was taken with what there was available in that moment. Using the zoom on a smartphone might have given me a shot with more of the train in the frame, but it would likely also have turned out pixelated, as the camera function on older phones doesn't give you the same crisp shot that an actual camera offers.

The other element I like in this image is that you get to see a fair bit of the train in profile, which I find can be much more interesting at times than a train taken from a very sharp angle. At some point, we need to get away from the 3/4 wedge shot. There has to be more to this hobby than that fall-back option.

Here's another technique I love to see in the other railway blogs I visit regularly. I love it when we are able to get shots of trains from overhead. This shot of a Venture set, which I took last Nov. 24 in Toronto, is one of my favourite recent shots. There isn't all that much to it. You can see a bit of Rogers Centre and the Blue Jays logo in the upper left. There is also a fair bit of the cityscape all around the corridor of railway tracks just west of Union Station. You can also see the signals in the distance. I'm not sure why I like this photo so much, but I do. I like that it looks different than my more standard railway shots. There's elevation, cityscape and a logo. In short, there's a little bit of a story that you wouldn't get if you had zoomed in and focused exclusively on the train.

Here's one final example of what I mean. I will state again that this shot was not taken intentionally. I was in Markham and was near a set of double tracks. There was a parked intermodal train that was waiting another container train heading in the opposite direction. I did get some shots from an overpass, but I was looking for something a little more dramatic, which I was able to get after climbing down a small gully. I found an area where I was safely behind a fence. I took this shot of one train heading one way while another facing the opposite direction waits for the line to clear to it can continue on in its journey. I kept the brush in the shot, as it meant I could also keep more of the containers in the shot. It's not my best shot by any means, but I like that it was a departure from my early railway photography attempts (this was taken in 2013, which was barely a year after I started taking railway photos again).

I know I have made this point a number of times this year, but I can't stress enough how important it is for me to be pursuing my railway photos this way now. We are railfans at at a time of increasing standardization. Much of the rolling stock looks exactly the same. Long lines of grey hoppers and black tank cars with no visual identifiers or logos are now the norm. Most Via Rail consists are essentially carbon copy Venture sets. Motive power on most major railways is essentially the same, in that it all looks very similar. 

For me, I am trying to keep it interesting by changing the one thing that can always be changed, which is the background. By getting new elements in my images to surround the trains featured, I am keeping this hobby interesting. I'd be interested to know what you are doing to keep the hobby interesting.

Small surprises from 2025

This past year, most of my rail photography came from outside Ottawa, which was partially out of necessity. I am always on the lookout for new spots in the city to take photographs, but there's only so many images of Via Rail trains I can share from here. I will admit that I have not been out taking photographs in Ottawa in quite some time, mostly due to schedules and other commitments. But, luckily for me, I took photographs of trains all through my travels in the summer and fall, which has me struggling to remember what images I've shared and what images are still to be shared.

It's a great problem to have! 

Case in point is the image below. This shot was taken while my family made its way west through the increasingly notorious Milton bottleneck on Highway 401. Whenever we encounter a slowdown in this area, it usually means I get a good look at a rail line that traverses beneath the highway, next to a Smurfit Stone plant and trucking depot. This past summer, I was finally able to get a shot of a train on that line, from the passenger seat of our car. A little bit of good timing.

This is an admittedly imperfect photo but it's an example of my mission to make railways interesting again. I touched on this in a past post. I like that this train is merely a part of the image in a busy industrial area. I suppose I could have zoomed in, but that type of image would lose all context. Here we see two typical CN six-axle locomotives pulling a string of autoracks south, heading toward the 401 underpass on the Halton Subdivision.

This leads me to another surprise, which I stumbled across in Sarnia. When I was heading home to Ottawa aboard Via Train 84, I took the time to capture some images around Sarnia Yard, since there are vantages points on the train that are otherwise off limits.

I was surprised to see this tank car clad in a CN scheme. It was obviously put on a piece of track for display purposes. The track is located near a CN administrative building deep in the east end of the rail yard. It looks to me like the tank car that was used as a tender when CN was experimenting with liquefied natural gas converted locomotives. As I was capturing a quick image with my iPhone, I didn't use the zoom as most zoomed images on your phone quickly turn pixelated.  

Here's another interesting image I caught when Train 84 had slowed before being stopped at a junction near Kamoka. This is the P&H grain elevator in Kerwood, Ontario, which is the last customer CN serves on the Strathroy Subdivision outside of Sarnia. This facility is located near milepost 25 on the Strathroy Subdivision, just east of the Lambton County border, where it gives way to Middlesex County. This elevator gets served once or twice a week by CN in London, when either CN 583 or 509 pays a visit. This was a neat surprise, much like the Belton grain elevator was when I caught a glimpse of it earlier in the summer.

This elevator reminded me of the SynAgri facility in Twin Elm, although the Twin Elm facility doesn't have silos like this one does. The way the spur curves off the main line like it does makes me think of the smaller four-axle power needed to negotiate the tight radius of this small piece of track. It's much like the old Twin Elm turn off (now severed).

Here's one last surprise from Toronto. I had to pause a moment before realizing what was surprising about this Union Pearson Express train. I looked at it for a moment before realizing that it wasn't a true double-ender, at least in terms of its looks. Most of these trains have control cabs with the curved, sleek locomotive design at each end. This one does not. One end of the train has a control cab not unlike the ones on the old Budd cars or even at the end of the older GO Trains. I had never seen this consist on the UP Express before. Not a huge surprise in the grand scheme of things, but something different nonetheless.

Those are a few of the surprises that caught my attention this past year in my travels around Ontario. It's always fun to share photos that aren't front-end power at a 3/4 wedge. I feel like, sometimes, as train people, we become too focused on the power, as if we were at a classic car show. There's a place for engines, it goes without mentioning, but I find I am having a lot more fun branching out and finding the hidden gems on the rails that tell a larger story.

One last kick at the can for the F59PH

Recently, I shared some photos and thoughts about GO Train service in Kitchener, where Metrolinx has enjoyed success with its Kitchener-Union Station service. I was camped out on an overpass this past summer to capture the morning run of Train 3962 eastbound for Union Station. That train was being led by 559, one of GO's old F59PH locomotives, a reliable warhorse that was built by the old Electro-Motive engine production facility in London, Ont. 

At the time, I couldn't help but wonder if the F59PH was into its final days with GO Transit, as very few still remain on the GO roster. Later in that same day, I was told that 559 had broken down between Kitchener and Guelph. 

Shortly after the Kitchener post went live, I got some interesting information from a blog reader, which I will share here in its entirety:

GO bought F59s from Los Angeles Metrolink and they are sitting in North Bay for rebuild so, by the looks of things, the last days in green of that loco type is some time away. I suspect the idea is to add to the power pool as newer engines get fitted with ECTS signalling, and also possibly 2MW battery packs to replace one Cummins on the MP54s. 

Shortly after that comment, I got further confirmation from another reader that, indeed, more F59PHs were on the way, which means that these old engines will be seen in and around the GTA for the time being. 

In November, I had a small layover in Toronto on my way to see family in Sarnia, so I camped out trackside near the Metro Toronto Convention Centre, when I found this GO Train heading eastbound toward Union Station, led by F59PH 561 in the old GO scheme. As I don't get a chance to shoot much but Via Rail trains in Ottawa, it was a treat to find a few GO Trains with different paint schemes. 

Besides the continuing presence of the F59PHs in revenue service, it was interesting to see a few of the old cab control cars in the middle of some GO Trains, as they had been refurbished and converted to regular passenger cars. A friend of mine was nice enough to meet me at Union. He was the one who pointed this out to me. 
 

Speaking of 559, it was back in revenue service when I was in Toronto in November. I caught it creeping eastward toward Union with a newer GO unit heading in the same direction a few tracks over.

In my last post, I made a point to explore the different approaches I have taken of late to rail photography. These photos would not be reflective of those new approaches. I was simply watching trains on my layover and taking shots fairly casually as I hung out with my friend. Still, any time you can get two trains in a shot, with different units, it's not the worst shot.

The London plant built 72 F59PH units from 1988 to 1994, along with 83 F59PHI locomotives for American customers. GO once rostered 49 of the original F59PH units, many of which have moved on to other railways or retired. 

The one thing that I don't know is if the F59s on their way to GO are the original models that we all know in Canada or the F59PHI models, which look different, especially near the cab. 

Personally, I kind of like the boxy look of the old GO 59s, as they remind me of the F40PH-2s that have served Via Rail well for decades. The Metrolink units have a sleeker nose and cab, but they seem a bit awkward aesthetically, in my opinion. Details, details...

I wanted to share on shot from the day when I caught these F59s that might be considered a little different from the usual 3/4 wedge shot. Although I was not trying to reinvent the wheel with the above two shots, I did try and get a shot of the train sheds at Union. The Skywalk overpass didn't do me any favours from this vantage point, but I did like that I caught a GO Train on one end of the sheds and a Via corridor train on the other end.

My chances to catch something from the platforms were limited, as crews don't want people wandering around the train sheds so I tried to sneak a few shots here and there.

I like this as a slice of life shot where passengers were waiting their turn to get on the escalators that would take them into the arrivals hall of the station. Sometimes, train shots can have the trains on the periphery and still tell a good railway story. I have a few other shots in and around Union that I took on my way back to Ottawa, but I will save them for another post. 

I have to say, I am happy that the F59s are going to continue to ply the rails for a while. The old boxy ones that have served GO well for decades are unsung heroes. Catch them while you can. 

Make Railways Interesting Again

Being a railway enthusiast sure is different these days. I am not going to go down the road of saying everything was better when I was young. It wasn't. Some things I found were better while other things were not. But I will say this. Railways have taken on a sameness, for lack of a better term, and it's really affected my enjoyment of rail photography.

Again, I won't say that things aren't what they used to be, across the board, because there are some aspects of railways today I find fascinating. But I cannot get excited by endless container trains, at least in that, once you get your initial photographs of the power up front, there really isn't much left to photograph. The same can be said for most rolling stock. Most covered hoppers are endless strings of grey, with only their alphabet soup of lease company reporting marks to offer any variety. The same has always been true for most tank cars, as this continental fleet has been under the control of leasing companies for far longer than other cars.

The question is what can we do to keep this hobby fresh when there is so much blank space on cars and so little diversity? With most railways not investing much in new rolling stock, there's not much variety in the average freight train. Also, with much of the fleet of fallen flag cars on its way to the scrapper's torch, there's a scarcity of history to capture.

Over the last few years, I have found that I have begun to refine my approach to railfanning quite a bit, without even realizing it. These small changes I have made to my approach have really allowed me to make the most of what there is to capture out there these days. I'm not saying it's for everyone. I understand that there are people younger than me who don't have the same experiences I have in my arsenal, so they don't know what they're missing, so to speak.

For that matter, there are people older than me who could say the same thing about my outlook. I will never know the luxury of their past experiences, so I cannot say whether their time spent trackside while young was better than my time spent trackside when I was young.

So here is my refined approach to railfanning, developed with modern railways in mind. 

1. Don't begin and end your time trackside documenting power only This might be my biggest disappointment when I look at the work of others. It's also a critique I have of my own work at times. So many videos today essentially follow the power to the detriment of actually cataloging the entire train. I try to look for shots of the train from different angles. This means finding interesting trackside infrastructure to frame the entire train against. I find shots of engines with no context are not terribly interesting anymore. Unless I know where the shot is being taken and the context of the train's movements, I am not all that excited.

Look at the shot above from Smiths Falls in 2017 and look at the shot below, taken with details in mind. I know which one I prefer.

 

2. Try and get the big picture This is one of the hardest challenges of rail photography and it often goes against our natural desire to get as close to the action as possible. I think we spend so much time shooting the power that we forget how powerful an image can be when it incorporates an entire train. There is certainly a trade off here. Your shot will not be as close and the train will not be as prominent, but I think it's a good compromise sometimes, when it works out.

 

This shot shows the limitation of my former camera, as I took this shot outside of Sarnia in 2013. I shared similar photos of this train in a past post, but this one at least captures the majority of the train. It also gives you an idea of the train's length as well as the topography outside Sarnia and the time of year. There are many details to consider. 

 

3. Change your perspective This is where I find I am having the most success and fun. I am always on the lookout for a new perspective, whether is be down low, on a bridge, shooting a train on a bridge, or just finding a creative way to capture a train in a way that doesn't mimic a standard rail shot. I think the best recent example of this was when I shot some GO Trains in Toronto in November, when I was travelling between Ottawa and Sarnia. I will have a few posts from Toronto later on.

 

This shot, taken in November, is an example of all the different techniques I have been trying recently. I am on a bridge over the downtown tracks, which means I have a different perspective. I also deliberately framed the cityscape in the shot, and placed the train to the far right of the image. Finally, I didn't zoom in on the train, which would have meant I couldn't capture the entire consist. I deliberately kept the train small in the image, so I could capture the big picture. I also like the look of the many tracks in the photo. I am far more satisfied with this type of image than I would have been with a shot where I zoomed in on the train.

 

4. Look for history This might be the hardest technique as so much rail history has disappeared. When I write about rail history, I'm not talking about steam engines or something that you can only see in a museum, I'm talking about fallen flag cars. I used to shoot images of shortline railway cars and the incentive-per-diem cars that tiny railways built and were still in wide usage when I was younger. I also made sure to get photos of railway fleet cars, which seem to be quite rare now that many railways basically use cars that are part of lease fleets. But, since this is such a challenge, it makes a good catch all the more rewarding!

 

I know that these old Burlington Northern covered hoppers are still fairly common trackside, but for how long? I have photos of old Soo Line covered hoppers that I shot just a few years ago and I haven't seen any since. I like this shot above because I made sure to wait until the yard job in Stratford was passing between the cars so I could grab this shot of the old BN hopper in a unique image.

 

My first thought for this post was to do an exhaustive comparison of how the rail photography hobby has changed since I was younger, but I felt that this approach would come across too much like an angry man shaking his fist at young whippersnappers so I decided to try and take a more even-handed approach.

 

I will say that, unlike when I was younger, today's epically long trains with power on both ends, and often with distributed power in the middle, are something that I never saw when I was younger. And it's a definite improvement for those who are trackside these days. I also like how container trains look from a distance, with so much colour and variety, when taken together as a whole. 

 

See? It wasn't all better back in the day. I'm grateful for what I have now, just I am grateful for what I saw when I was younger. It's all what you make of it. My goal is to make the railways of today, with their lack of diversity, interesting again. Make Railways Interesting Again. MRIA is this year's theme. Let's get to it!

 

Happy New Year everyone. 

Thankful for everything, even the faceless grey hoppers

I once had a conversation with my former parish's priest when I was struggling mentally and he said something that changed my life. He asked me a few questions. Did you ever wonder what a miracle it was, he asked, that you walk into a room, flick a switch and light magically appears? Or when you go to the sink, you pull a faucet and clean water appears? He asked me a series of questions like these and it made me rethink my life entirely. His point was simple. He was telling me I was very fortunate to have all that I have in my life. Since that chat, I have come to recognize the blessings in my life at all times, which have made me much more successful in managing my mental wellness.

For our purposes here, I wanted to share a few photographs from my last few months, many of which I have yet to share on this blog. Many of these shots were taken in my journey to Sarnia by train and my journey home to Ottawa.

There's a saying that it's better to be lucky than be good. I'm lucky indeed. As we near Christmas, I'd like to share a few shots in the spirit of gratitude.

This first shot was taken around sunrise on a cold Nov. 24 morning in Sarnia before I left on Train 84 to head to Toronto and eventually back to Ottawa. This train was backing up in the yard when I arrived at the station, before heading west through the tunnel into Michigan. If you look closely, you can see Via Train 84 on the spur beside the station, before it backed onto the main track. The cloud bank over station made for a cooperative sky that cut down on the shadows. I decided to leave the photo as it was, with no correction. This is one of my favourite shots of the year.

 

Here's a quick shot I grabbed aboard my train home from Toronto. The sun was sinking fast and the light would soon vanish, making any further attempts at photographs moot, but I liked that I got two different GO Transit schemes in this shot, along with a bumper in the bottom of the frame. This looked like a layover yard, which was just a short distance east of Union Station in Toronto. I'm thankful that the train home was not heavily delayed anywhere, which as we all know from last week's fiasco in Brockville, is all too common.

 

Yes, I'm even thankful for the old P42s. This is the train that I took from Fallowfield to Toronto on my way to see family in Sarnia. The city was cover in a light film of ice from a messy evening of freezing rain and snow, so getting to escape that to spend the weekend in warmer climes was certainly a bonus. Also, the fact that I was on an older consist meant that there were no speed restrictions on this train. Granted, the delays from being held for freight trains is another story, but I'm trying to stick with my theme of gratitude.

 

This shot is from my July visit to Stratford, where I was lucky enough to catch a few Goderich Exeter Railway trains in the Stratford yard and on the GEXR Goderich Subdivision. I like this shot because I was able to capture a bit of smoke coming out of the old geeps, as the crew assembled its train in the yard before heading northwest down the Goderich Sub. I have many other photos to share from this trip, which I have yet to sort through for the purposes of a thematic post. 

 

 

Here's a shot from August when my family was in Waterloo for a music camp. I always try to make time to go up to St Jacobs to get some shots of the historic collection of locomotives and rolling stock in the Waterloo Central Railway yard. I like this shot because it captures the back end of an old heavyweight passenger car, a RDC Budd car as well as a repainted switcher. Then there are the axles in the foreground. This is the type of shot I am trying to capture more and more these days. I plan a post in the coming weeks to outline what I feel is the state of railfanning right now and how it has changed my perspectives on the hobby.

 

Looking for your thoughts

 

I'm thankful, as well, for blog reader Kevin from Windsor for alerting me to the fact that Firecrown Media has somehow decided to stop shipping its magazines to Canada, despite the fact that people have subscriptions. He told me he cancelled his subscription, as a result of this decision. I went online to see what was happening, as I have not received my latest issue of Classic Trains, which is a quarterly. It appears that the company that took over Kalmbach Media has indeed made this decision, although no one seems to have been notified. Needless to say, I have cancelled my subscription. Classic Trains was one of the few ties I retained to the United States after this spring's tariffs frenzy. Now, I have cut all ties.

 

I don't mean this as a slight against any blog readers from the States. I grew up on the U.S. border, have family in the U.S. and am an avid Detroit Tigers fan. Putting all politics aside, it's just a prudent measure for me to cut ties at this point. 

 

My question to my fellow railfans from Canada is which magazine should I subscribe to in this country to replace Classic Trains? I'm thinking Branchline, as I am a big fan of the Bytown Railway Society. Does anyone have any other suggestions? 

Making (and breaking) the case for non-stop service

I found the coverage of Via Rail's recent announcement of non-stop service between Montreal and Toronto quite interesting, but not in the way you might think. In case you don't know, Via Rail was planning to make four trains between the two cities non-stop, which would mean no service for Dorval, Cornwall, Brockville, Kingston, Belleville and Cobourg, to name the more important stops in Eastern Ontario and west of Montreal in Quebec. The trains chosen for this pilot were Trains 60, 61, 68 and 69.

What went missing in the coverage was that Train 50 from Toronto to Ottawa would skip stops in Belleville and Kingston, as a near non-stop train. There was no word on what the status of this train was, from the coverage I read. 

As you can tell from my wording, Via Rail has decided to halt the pilot project, which was due to start on Sept. 29. The railway cited operational constraints from CN, its landlord on most of the rails between the two cities. This comes just days after Via made its announcement seemingly out of the blue.  

As always, there are two sides to this story. Via Rail claims that this new service would allow travellers to arrive 30 to 40 minutes sooner. The railway says it chose the trains for this pilot project based on the lowest ridership counts at the smaller stations between the cities. In other words, the trains with the lowest demand in Kingston, Cornwall and Brockville for example, were chosen for the non-stop service. 

I find it interesting that Via Rail was going to try this experiment now, as it has taken a beating publicly for its abysmal on-time performance in recent years, which is a function of the speed restrictions CN has placed on Via's Venture train sets. For more detailed information on this ongoing saga, head on over to Trackside Treasure. No one has done a better job of explaining this story than Eric Gagnon.

I guess my point is, Venture trains have been consistently late for years now, so I wonder what difference 30-40 minutes will make given the restrictions Via Rail faces on CN-owned tracks? Also, is 30-40 minutes enough of a time savings to justify this service? If the train arrives in 3 1/2 hours as opposed to 4, I can't say that would be enough to sway me if I was on the fence about taking the train. It still does not compare to a flight, which still gets you to your destination faster, even after you factor in the security, screening, pre-boarding, baggage claim etc. 

 

 

The mayor of Kingston Bryan Patterson raised some interesting points, to support the case for continued full service for his city. He said Via Rail didn't consult any of the communities along the line to give them a warning that these service cuts would be happening. And make no mistake, although Via Rail maintains that these communities would all still be well served by the remaining intercity trains that call on these stations, the coverage was overwhelmingly negative. Service cuts by any other name are cuts, in the eyes of civic leaders.

 

The local media was unequivocal in describing the move as cuts and you can't blame leaders in smaller communities and cities to say anything otherwise. Via Rail making a decision like this with no consultation to the cities it serves is poor communications. 

 

Patterson also pointed out that Via Rail is also turning its back on the 1 million people who live between Toronto and Montreal, many of whom count on these trains. I would think at the very least, Kingston's stops would be left untouched, as Kingston has a high student population at university or college. As we all know, students have always made up a large chunk of Via's fares in the corridor. I took the train many times in my university years.  

 

The mayor also pointed out that taking away more options from these towns and cities means Via Rail will attract fewer customers. It's a fair point. 

 

As someone who has worked in communications for 25 years, I don't agree with the hasty approach here. Had I been in the room, I would have suggested that Via Rail perhaps choose one train pair (60 and 61, for example) and give itself 6 months to a year to prepare a proper promotional campaign outlining this service. Also, it would give the railway time to speak to the leaders of the communities who would be missing out on future service.

 

The rollout of this announcement was hastily planned out; the response was not at all what the railway was likely expecting. In theory, non-stop service between major cities makes sense and provides Via with a compelling product for customers. But the way this was handled was unfortunate from a communications point of view. When customers already booked on these non-stop train pairs were being forced to transfer their spots onto the next available train, it's a bad look.

 

It also doesn't necessarily engender trust in this railway at a time when Via Rail's reputation is already in tatters thanks to the Venture set debacle with CN. The railway has already endured a lot of wounds since the Venture fleet was brought into service.

 

But its communications strategy is producing unnecessary self-inflicted wounds. It makes me wonder how a company comes back from what Via Rail has been through in the last several years.  

 

 

This leaves me with one last thought. Many of these smaller communities in the corridor are very quick to complain when the prospect of Via Rail service cuts are floated. However, just how strong is the customer demand in some of these communities? I'm sure Via Rail took a hard look at its numbers and reassured itself that losing a few extra customers on these non-stop trains would be balanced out by the increased demand from travellers in Montreal and Toronto who might be more keen to take a faster train.

 

That is the logic, although as an infrequent train traveller, I have my doubts that there would be a substantial benefit from such a small reduction in travel time. 

 

But just how soft are the numbers? If I was a politician in one of these affected towns, I'd be very careful about being too vociferous in my complaints. I'm sure Via's attitude is use it or lose it. We've already seen many smaller towns in the corridor who have lost Via service in past years due to lack of customer demand. 

 

Then there's the issue of the investments that have been made in the new train stations in Belleville and other towns in the corridor. When you strip away this much service, what becomes of these stations? I have already seen many examples of Via Rail stations that have essentially become white elephants in many towns across Ontario. They are far too big relative to their use. Many have been repurposed for other uses, like the stations in Stratford, St. Marys and Smiths Falls.

 

I suppose the point of all this is Via Rail, once it emerges from the Venture set fiasco with CN, needs to reflect on what kind of passenger railway it wants to be. This past week's circus leaves it unclear to me what that answer is. 

The Budd cars return to Windsor after dark

This is part II of my Windsor history series. You can read the first entry by clicking here.

In August 2022, when I was taking photos of the interesting pieces of rolling stock at the Waterloo Central Railway's St. Jacobs yard, I spotted an RDC unit tucked away in the yard, far enough away from my vantage point on a nearby street that I couldn't get a clean photograph of it. But I got a reasonable shot. I give the volunteers running this operation credit. They painted the unit in the Canadian Pacific maroon and gold scheme, albeit lettered for the Waterloo Central. This maroon scheme predated the ubiquitous CP multimark scheme that was adopted in 1968. It got me to thinking.

In the late 1960s and early 1970s, it was clear that highways had supplanted passenger rail services as the dominant form of short-distance travel in much of Canada. Despite various attempts to modernize their service or innovate after the Second World War, both CP and CN were hemorrhaging money on their passenger services. In CN's case, it was a government owned corporation, which tended to soften the blow, but also force its hand to stick with its passenger services. CP was a different story, as it was not a government owned entity, although it was still subject to the same regulation that mandated passenger service standards at the time. So, in a sense, CP had the worst of all worlds.

That said, CP and CN were going in different directions as the 1970s approached. One was investing and another was actively bailing out.

At this time, my Dad had moved with his family to Windsor, Ont., as my grandfather was transferred from CP's facilities in Chapleau, in Northern Ontario, to the Windsor shops. In my Dad's case, this meant, as a teenager, he found himself with his first job at the CP yards in Windsor alongside my grandfather, who was a rolling stock mechanic.

My grandfather usually worked the RIP track, which is short for the repair-in-place track. He sometimes would work in the shed near the roundtable as well. There were times that he would be dispatched to wrecks around southern Ontario to ensure that the main line would be clear as quickly and safely as possible following an accident. In short, my grandfather did a little bit of everything. By contrast, my Italian grandfather (Nonno in Italian) was also living in Windsor at this time, but he had long since moved on from his work as a general track labourer with CP, which he did in the Crowsnest Pass district of B.C.

My Dad often worked nights at the CP yard alongside my grandpa. At the time, CP was still maintaining a national passenger network. A peak at the CP schedule from 1968 shows that there were two daily trains between Toronto and Windsor in both directions. This image below was taken from Steve Boyko's collection. Steve is the author of the traingeek.ca blog. He graciously allowed me to use this image for this post. 

The timetable gives you clues as to CP's state of mind regarding regional passenger rail at the time. The four trips were all made with Dayliners, which is a fancy term for RDCs. The schedule shows two RDCs made morning runs, one from Toronto heading west at 8:30 a.m. and one from Windsor heading east at 7:15 a.m. The eastbound to Toronto arrived at 11:20 while the westbound to Windsor arrived at 12:40 p.m. That means a four-hour trip. A bit slow, but not bad considering the stops made en route. 

The evening trains followed similar schedules. The evening train out of Toronto heading west left Union Station at 6:30 p.m. and arrived in Windsor at 10:40 p.m. The eastbound out of Windsor left at 5:05 p.m. and arrived in Toronto at 9:15 p.m. 

So what are the clues that CP was not prioritizing the passenger service, other than the fact that the Budds were doing the hauling? Look closely at the left of the image and you see that the schedule advises that there are "Meal Stations" en route where food can be purchased at city prices. In other words, there appears to be no service on the train. It's also worth noting that CP has a bus service to Kitchener from its Galt passenger station, since Galt (part of Cambridge now) is quite a way from Kitchener and Waterloo.

The final clue as to what CP was thinking at the time can be found on the notation at the bottom of the schedule which lists Windsor's passenger terminal as "Tecumseh Road and Crawford Avenue." This is what my Windsor rail friend and blog contributor Kevin O'Neil said of the CP passenger terminal.

"CP’s Budd Cars stopped at Tecumseh W and Crawford. The whole intersection was realigned a few years ago so the two distinct wings of Tecumseh were connected with a sweeping curve, covering part of the Crawford right-of-way. The building that held the CP Express transfer docks is still there, although it hasn’t belonged to CP in the years of my conscious memory. It belonged to a private cartage company for many years, and now it’s a warehouse for a restaurant equipment supplier. I’ve never been able to pinpoint the location of the Budd waiting room."

 

So, in other words, CP had some sort of makeshift waiting room for passengers in a freight facility. Not uncommon in the days where railways were actively trying to discourage passenger travel. Now compare that image in your head to the Canadian Pacific's terminal near the Detroit River, which served from 1880 into the 1930s. I don't know that I have ever seen anything like this.

 

Image and the one that follows beneath are from the Southwestern Ontario Digital Archives at the University of Windsor and are used for informational purposes only, as per the disclaimer stated on the SWODA website. 

 

After this station was demolished, CP moved its passenger operations into the Michigan Central station on Pelletier Street until it improvised a waiting room at the former corner of Tecumseh and Crawford in the 1960s. The MCR station was used by the New York Central's Canadian operations (legally the Canada Southern Railway, a subsidiary of MCR, which was owned by NYC) before its operations were merged into Penn Central and eventually Conrail. At this point, there were no passenger services offered by this successor railway, as Conrail's birth came after the establishment of Amtrak.

 

Sadly, this station is no longer around, as it was a victim of arson some years back. I do recall reading about this, but my thanks to Kevin for reminding me. 

 

So back to my Dad. I do recall him telling me about his two most vivid memories of working in CP's yard during his early years. He told me he recalled walking alongside freight trains that had just arrived and filling the journal boxes with oil. This was, of course, at a time when there was still rolling stock around that used journals instead of roller bearings. Essentially, the axles were kept in running condition by fabric that was coated in oil. When these boxes containing this fabric and oil leaked and the oil spilled out, the axles would get hot. This is the origin of the term "hot box" I am told. 

 

My Dad's other memory? He told me one of his jobs was to clean out the Budd cars that had arrived from Toronto. This is where his job got interesting. He often found that the cars were quite a mess when they arrived in the yard for servicing. He said it was quite common to find beer and liquor bottles on the cars, as well as a surprising amount of money. His suggestion was that there was usually an unsavoury element that rode these trains into Windsor at night. 

 

Luckily for my Dad, Ontario Hydro offered him a better job with benefits and hours at the J. Clark Keith thermal generating station in Windsor (long since closed). His life on the railway and cleaning out the Budd cars was mercifully short.