Before I forget

It's always a nice feeling when I remember I have a bunch of railway photos from last year that I still haven't shared yet. This week, I recalled a batch of photos I had taken in Sarnia and elsewhere that had not yet made it into a post. So here are some lost photos from my wanderings in the past year, as well as from this past spring.

Resting on an early November morning under a big Southwestern Ontario blue sky, a host of CN road power points east at the east end of the Sarnia Yard, likely awaiting the next train to pull toward Toronto. I would venture a guess that the power here is usually substituted onto trains that originated in Chicago and make their way east under the St. Clair River tunnel. I do know that significant cuts of cars from the Chemical Valley are put together here, so it is possible this power is for Sarnia-originated trains. I do see a CN 100 unit partially hidden behind a railway maintenance truck. 

I was aboard Via Rail Train 84 eastbound when I captured a few images in the yard. To be honest, one of the Via Rail service managers insisted on instructing me on the the safety features of the car, as I was one of the few people aboard. Being a good citizen, I listened patiently, even though I wanted only to capture a few photos before I left my hometown. 

 I like this shot as well, as it is a showcase of three different CN paint schemes from the side.

One final image from Sarnia Yard of a former leased unit, now stencilled as CN on the cab. This unit was sitting on its own, far from the area where the rest of the power was arranged. I would imagine this unit was between switching assignments. Usually in the yard, the switching is done by the older, smaller geeps without the wide nose at the front of the cab, but it's also not uncommon to find a larger unit like this one assigned to switching duties. 

This next shot was taken at Fallowfield Station in May. I don't generally take a lot of shots at this station anymore, because I think I've exhausted most of the photo possibilities there. However, I did see an opportunity to get low at the extreme east end of the platform. At this point, there is a shallow drainage ditch. I got down in the ditch a bit and took a shot from way down low, trying to see if it met my criteria as something different. 

As you know, Fallowfield is a place where you can get up close with trains, but the shots almost inevitably end up being very tight wedge shots. I like that we can see the gravel laneway to the tracks and the bundle of rubber strips that were used to refurbish the station platform between the main line and the passing siding. You can even faintly see the signals closer to Woodroffe Avenue. The clouds in the sky also lend this image a bit of interest.

 

Here's something from Stratford that I'll get into a little later in another post. I am lucky that I get to visit this town once a year to take in theatre, visit with family and make my way trackside to see both CN and GEXR in the city. Here's a shot taken against the harsh summer sun of a CN local heading into the city from Kitchener. 

 

 

As I was going through my photos from last year, I knew I had a few items from both Stratford and Sarnia to share. I'll share more of this meet in another post, but I thought I'd include one of my favourite shots, even if it's tainted by the harsh morning shadows. Even in touching it up, the shadows are still pretty profound. But how cool is it to see two GP9s (one GP9 actually, I didn't look closely at the second unit, which is a GP38...thanks to a reader for pointing this out) in the safety stripes scheme still soldiering on in 2025? This photo is timeless in certain respects. It could have been taken 10, 20, 30 or 40 years ago and you wouldn't be able to tell the difference to the scene today.

Old friend and a new twist

In late June, I was told by a friend that CN was using two Iowa Northern-painted geeps as power for local operations. Naturally, with so little to see in Ottawa from a freight train perspective, I was excited. Even better, CN's weekly freight west, Train 589, was operating on Saint-Jean-Baptiste Day, which is a holiday for Quebec workers like me. My first plan was to camp out trackside along the Beachburg Subdivision, which is not too far from my house. But then I heard the train was making its way up the Smiths Falls Subdivision to Kott Lumber and on to Richmond, where it would do a runaround move on a switch, as the train was not going to Arnprior that day.

So, change of plans. I got in my car and went to Fallowfield Station, which is also not all that far from where I live. I missed the train as it made its way west to Kott, but I knew I was going to catch it on the way back, as there was a large group of railfans awaiting its return.

The double header dropped off two centrebeam lumber cars at Kott Lumber, on Moodie Drive, before heading further up the Smiths Falls Sub to Richmond, where the power ran around the two empty lumber cars it picked up, so the crew wouldn't have to shove its way back to Walkley.

It didn't hit me until later that these types of geeps, clad in the classic Canadian Pacific maroon, grey and gold, were likely similar to the diesels my grandfather saw when he worked as a rolling stock mechanic for the CPR in Chapleau and Windsor. 

Iowa Northern mystery

I will admit that I knew next to nothing about the Iowa Northern Railway before seeing these two units. It was formed in 1981, when a group of grain elevator owners took over local lines from the bankrupt Rock Island Railroad. Over the years, the short line railway expanded and brought its tracks back up to speed. After a few ownership changes, the line was purchased by the Canadian National in 2025, which explains the appearance of these units up here in Ottawa. The Iowa Northern operates 163 miles (262 kilometres) of track in Iowa, from Cedar Rapids into northern areas of the state. It handles around 40,000 carloads of freight, according to stats listed on Wikipedia. It has connections with CN, CPKC and the Union Pacific.

You will notice below that the small eastbound 589 is taking the siding at Fallowfield Station, since it has to wait for the arrival of Via westbound Train 45 for Toronto.

Next up, I backed up into the parking lot to see if I could get a shot with the train's reflection in the rain puddles. The other railfans remained on the platform, getting very tight wedge shots, which is not my thing at all. I needed to see the sides of the train and that beautiful livery!

Not quite what I wanted, as I didn't get a terribly clear reflection in the puddle. I also didn't get enough of the car behind the power. But it's always worth a try to get an image that is not a standard shot. Next up, Via's Train 45 was due. A meet!

I had to get onto the platform and accept that this shot was going to be a tight wedge. I am reasonably happy with this image, given the harsh glare of the morning sun and the railfans I had to shoot around (everyone was quite accommodating to each other). The Venture had barely come to a stop before 589 geared up and headed back east to Federal Junction. Before it departed, I tried to get another two-for-one shot with both trains in the same frame. The CN freight train was a little too far east on the siding to get a side-by-side shot, but I tried my best to get something. 

Finally, it was time for a few going away shots.

I think this was the best of the bunch as the train pulled away, as I switched to my iPhone and was surprised that it captured the blue sky better than my regular camera, although that could be a function of me not having the camera on the best setting. I'll figure it out, one of these days. 

I am grateful for the tips I received from friends that allowed me to capture this unique train. I noticed the following week that the power in Ottawa had changed again, meaning this rare site is all the more precious. 

I don't know how quickly CN will be able to recover from the Canada Day flooding that slammed the west end of the city. The Beachburg Sub and Renfrew Spur both suffered washouts. CN will have to deal with the Beachburg damage while Nylene Canada and the city will have to fix the Renfrew tracks, as those rails are owned by the company while the right-of-way is owned by the city. I'm not sure how that responsibility breaks down.

All in all, it was a fun morning to capture a rare sight. It was also my first experience with local railfans. I know they're out there, but I so rarely run across them.  

Hello, I must be going

Summer is about to officially begin. My daughters are finished with their schooling and my family's thoughts are turning to time off, trips, visits to family and other leisurely pursuits. With that in mind, I am going to park all activities on this blog for the coming week.

But not before sharing this quick shot captured yesterday (June 24) at Fallowfield Station. 

This might be the biggest rail sensation to hit Ottawa since the Canadian Pacific brought up its vintage rail cars for the CP Canadian Women's Open several years back. Here are two Iowa Northern-painted geeps on the siding at Fallowfield Statiom, coming back from dropping off two loaded centrebeam lumber cars to Kott Lumber on the Smiths Falls Subdivision. 

The train, CN 589, was awaiting the arrival of  westbound Via Train 45. Once the Venture set arrived, the two-car train shuttled off back toward Federal Junction, on its way to Walkley Yard. There was no run up to Arnprior. But the appearance of two locomotives adorned in the vintage CP maroon and grey was amazing to see. 

I'll have much more to share about this meet later on. For now, I'll leave you with this one shot. I have a summer full of railfanning to do, which will fill the pages of this blog in the coming months. 

But I have to say one quick thank you. I would not have seen any of this had I not been given some great tips from railfans nice enough to help me out. Also, it didn't hurt that I am a Quebec worker and had the St-Jean-Baptiste Day holiday off.

Have a good summer. I'm closing in on 500 posts. But for now, let's just enjoy this vintage scene! 

Part of the landscape

Railways are as much a part of Canada's landscape as they are of the country's history. The same can be said for a number of countries. This week, I am busy working on my house, which needs some TLC, but I had a moment Wednesday afternoon when I took my children out for a drive. We encountered a Via Rail corridor train making its final last few kilometres east from Fallowfield Station toward Ottawa Station.

This is the quick photo I took while we waited for the train to slowly pass the Woodroffe Avenue crossing on the outskirts of Barrhaven. This was the shot that was taken while we were stopped.

I've mentioned several times this year how much I am emphasizing railway photography that includes the landscape. I like this shot because you get a lot of landscape elements. You can see the traffic waiting, the trackside signals governing westbound trains approaching Fallowfield Station and a nice profile of the clear winter sky over Ottawa.

Yes, there is a Venture set in profile, which is supposed to be the purpose of the shot, but I don't mind that it isn't necessarily the dominant element in the photo. I would be lying if I said I set up this shot intentionally. The shot was taken with what there was available in that moment. Using the zoom on a smartphone might have given me a shot with more of the train in the frame, but it would likely also have turned out pixelated, as the camera function on older phones doesn't give you the same crisp shot that an actual camera offers.

The other element I like in this image is that you get to see a fair bit of the train in profile, which I find can be much more interesting at times than a train taken from a very sharp angle. At some point, we need to get away from the 3/4 wedge shot. There has to be more to this hobby than that fall-back option.

Here's another technique I love to see in the other railway blogs I visit regularly. I love it when we are able to get shots of trains from overhead. This shot of a Venture set, which I took last Nov. 24 in Toronto, is one of my favourite recent shots. There isn't all that much to it. You can see a bit of Rogers Centre and the Blue Jays logo in the upper left. There is also a fair bit of the cityscape all around the corridor of railway tracks just west of Union Station. You can also see the signals in the distance. I'm not sure why I like this photo so much, but I do. I like that it looks different than my more standard railway shots. There's elevation, cityscape and a logo. In short, there's a little bit of a story that you wouldn't get if you had zoomed in and focused exclusively on the train.

Here's one final example of what I mean. I will state again that this shot was not taken intentionally. I was in Markham and was near a set of double tracks. There was a parked intermodal train that was waiting another container train heading in the opposite direction. I did get some shots from an overpass, but I was looking for something a little more dramatic, which I was able to get after climbing down a small gully. I found an area where I was safely behind a fence. I took this shot of one train heading one way while another facing the opposite direction waits for the line to clear to it can continue on in its journey. I kept the brush in the shot, as it meant I could also keep more of the containers in the shot. It's not my best shot by any means, but I like that it was a departure from my early railway photography attempts (this was taken in 2013, which was barely a year after I started taking railway photos again).

I know I have made this point a number of times this year, but I can't stress enough how important it is for me to be pursuing my railway photos this way now. We are railfans at at a time of increasing standardization. Much of the rolling stock looks exactly the same. Long lines of grey hoppers and black tank cars with no visual identifiers or logos are now the norm. Most Via Rail consists are essentially carbon copy Venture sets. Motive power on most major railways is essentially the same, in that it all looks very similar. 

For me, I am trying to keep it interesting by changing the one thing that can always be changed, which is the background. By getting new elements in my images to surround the trains featured, I am keeping this hobby interesting. I'd be interested to know what you are doing to keep the hobby interesting.

Fresh perspectives in Stratford

Last summer, I was in Stratford to visit family and take in a show at the Stratford Festival. While there, I was able to carve out some time at the town's train yard to capture some images of the local freight operations. With a little help from those who are familiar with CN and the Goderich Exeter Railway's moves, I was able to catch several freight trains and some yard action. 

Here's a post featuring some GEXR freight movements on the Goderich Subdivision after leaving the yard.

CN's presence in Stratford is quite noticeable. It has a large maintenance yard where it keeps all sorts of supplies for track repairs. Of course, the Guelph Subdivision is hardly a speedway these days, but CN has still clearly invested in a maintenance operation here. I would say that it is much more extensive than what GEXR had in place when it was the sole leaseholder on the Guelph Subdivision.

 

This is the first shot I grabbed of an incoming CN local, which originated in Kitchener, as it came to do some yard work and move on further west to St. Marys. I took this shot because I wanted to capture a glimpse of the overall operations in Stratford, including the maintenance yard. You can see piles of ties to the left as well as a few structures. 

 

The local was led by an old GP9 and GP38 in the safety stripes scheme. It looked like 9555 was due for new paint, for sure. The train was a pretty typical consist of covered hoppers mainly, which is common in this yard. 

 

As the crew assembled the consist it would need to go west into St. Marys, I made sure to make my way to the Niles Street crossing, which allowed me a chance to get a different type of shot. As I have mentioned before, I am on a mission to capture new and different railway images. I could have easily taken shots from the station platform, as I have done many times in the past, but I wanted something different. 

 

Even though this angle was on the shadow side of the train, I though the angle of the tracks in the yard would give me a unique perspective of the train in its entirety. I thought this shot was more satisfying than an image of a long line of blank grey covered hoppers. Some of those hoppers were destined for the cement operations in St. Marys, which are served by CN.

 

Speaking of different angles. 

 

 

On my first day in Stratford, the yard was quiet but I did catch GEXR's local power at an odd angle in front of the Masterfeeds elevator. I was told this track is one of the last remnants of the old roundhouse complex that was once in place to service the steam engines of the Grand Trunk and the CN.

 

I could have gotten a much closer view, but I decided it would be cool to capture a shot of the long string of steel coil cars and the brooding summer sky in the image as well. I think this shot gives you a much broader picture of local operations.

 

That is a brief summary of my first days trackside in Stratford, I'd be curious to read your thoughts about how to capture different railway images. In two of these shots, the train or engines that were my main focus were actually quite small relative to the overall frame. Do you have your own ways of keeping things fresh while trackside?

Switching it up in Kitchener

It's been more than 15 years since I've lived in Kitchener, which seems crazy to me. When I moved there to take a job with the local newspaper, I never intended to move back to Ottawa, but things happen. I have fond memories of my years in KW, but I do regret never pursuing rail photography there, like I had in the past. Right before I was laid off at the newspaper and forced to return to Ottawa, I had begun to consider volunteering for the Waterloo Central Railway. 

Now when I return to KW on occasion, I make sure to make up for lost time. The city was served by the Goderich Exeter Railway when I lived there, but that service reverted back to Canadian National after I left the city. This past summer, I had a tip that the CN local for St. Marys was getting assembled in the Lancaster Street yard, which meant I had a chance to capture some local freight images. 

I started with a long shot of the crew crossing Lancaster for the first time. I've mentioned this before, but I am surprised that the city still allows this type of shunting to block city streets for as long as it does. I've seen this type of congestion in London as well. This type of arrangement where freight trains hold sway on a grade crossing in the middle of busy cities is fast becoming a memory. Here in Ottawa, Via Rail has removed its grade crossing on Greenbank Road in Barrhaven, and those inconveniences are minor, considering the passenger trains pass by in less than a minute. This shunting operation I watched blocked Lancaster for quite a while. I can imagine motorists are sick of this.

I took a quick shot of the local as it disappeared behind the metal recycling depot on Lancaster. The lead unit is a former GT geep. The cab lettering makes it clear. As I watched the crew assemble its train and cross Lancaster over and over, the thought occurred to me again that people in big cities are no longer used to living side-by-side with railways or, at the very least, have grown more impatient with them. Just down the line from Lancaster, the former grade crossings at Weber St. and King St. have both become flyover crossings. That has changed since I lived in Kitchener. I would imagine the housing, technology, research and academic developments in this area had a lot to do with King and Weber both being routed beneath the tracks. The Guelph Sub, in addition to hosting CN's local operations, also hosts daily Via Rail service, as well as GO Trains. 

 

From the Lancaster grade crossing, I was able to get a shot of the local backed well east of my vantage point, back in the yard. This shot gives you an idea of the topography that the Guelph Subdivision covers in the eastern end of Kitchener. As I was told by a few railfans who know Kitchener, the rails east of the yard are in excellent shape, as Metrolinx hosts its daily services on this line and has done much to ensure upgrades on the line into Toronto. 

 

Back and forth the train went, much to the chagrin of motorists on Lancaster. It should be noted for people not familiar with Kitchener that Lancaster Street is a busy road, as it connects much of Kitchener to the Conestoga Parkway, a busy highway that links most of Kitchener with Waterloo.  

 

Here's another example of my attempts to make railways interesting again. The lack of variety in today's freight trains means you need to get creative sometimes. In this shot, I framed a rust-stained hopper against the crossing guard, with the CN Guelph Sub plate visible. You can also see the trackside signals in the shot. 

 

One final shot of the train next to the recycling depot. I had to shot this image through links in a fence, but I think the effort was worth it. The morning sun and lack of cloud cover meant the sky was largely washed out, which was a common occurrence in my images from last summer, but such is life.

 

You can check out my other recent images from Kitchener in this post, when I caught the morning GO Train making its way east out of the station.  

Make Railways Interesting Again

Being a railway enthusiast sure is different these days. I am not going to go down the road of saying everything was better when I was young. It wasn't. Some things I found were better while other things were not. But I will say this. Railways have taken on a sameness, for lack of a better term, and it's really affected my enjoyment of rail photography.

Again, I won't say that things aren't what they used to be, across the board, because there are some aspects of railways today I find fascinating. But I cannot get excited by endless container trains, at least in that, once you get your initial photographs of the power up front, there really isn't much left to photograph. The same can be said for most rolling stock. Most covered hoppers are endless strings of grey, with only their alphabet soup of lease company reporting marks to offer any variety. The same has always been true for most tank cars, as this continental fleet has been under the control of leasing companies for far longer than other cars.

The question is what can we do to keep this hobby fresh when there is so much blank space on cars and so little diversity? With most railways not investing much in new rolling stock, there's not much variety in the average freight train. Also, with much of the fleet of fallen flag cars on its way to the scrapper's torch, there's a scarcity of history to capture.

Over the last few years, I have found that I have begun to refine my approach to railfanning quite a bit, without even realizing it. These small changes I have made to my approach have really allowed me to make the most of what there is to capture out there these days. I'm not saying it's for everyone. I understand that there are people younger than me who don't have the same experiences I have in my arsenal, so they don't know what they're missing, so to speak.

For that matter, there are people older than me who could say the same thing about my outlook. I will never know the luxury of their past experiences, so I cannot say whether their time spent trackside while young was better than my time spent trackside when I was young.

So here is my refined approach to railfanning, developed with modern railways in mind. 

1. Don't begin and end your time trackside documenting power only This might be my biggest disappointment when I look at the work of others. It's also a critique I have of my own work at times. So many videos today essentially follow the power to the detriment of actually cataloging the entire train. I try to look for shots of the train from different angles. This means finding interesting trackside infrastructure to frame the entire train against. I find shots of engines with no context are not terribly interesting anymore. Unless I know where the shot is being taken and the context of the train's movements, I am not all that excited.

Look at the shot above from Smiths Falls in 2017 and look at the shot below, taken with details in mind. I know which one I prefer.

 

2. Try and get the big picture This is one of the hardest challenges of rail photography and it often goes against our natural desire to get as close to the action as possible. I think we spend so much time shooting the power that we forget how powerful an image can be when it incorporates an entire train. There is certainly a trade off here. Your shot will not be as close and the train will not be as prominent, but I think it's a good compromise sometimes, when it works out.

 

This shot shows the limitation of my former camera, as I took this shot outside of Sarnia in 2013. I shared similar photos of this train in a past post, but this one at least captures the majority of the train. It also gives you an idea of the train's length as well as the topography outside Sarnia and the time of year. There are many details to consider. 

 

3. Change your perspective This is where I find I am having the most success and fun. I am always on the lookout for a new perspective, whether is be down low, on a bridge, shooting a train on a bridge, or just finding a creative way to capture a train in a way that doesn't mimic a standard rail shot. I think the best recent example of this was when I shot some GO Trains in Toronto in November, when I was travelling between Ottawa and Sarnia. I will have a few posts from Toronto later on.

 

This shot, taken in November, is an example of all the different techniques I have been trying recently. I am on a bridge over the downtown tracks, which means I have a different perspective. I also deliberately framed the cityscape in the shot, and placed the train to the far right of the image. Finally, I didn't zoom in on the train, which would have meant I couldn't capture the entire consist. I deliberately kept the train small in the image, so I could capture the big picture. I also like the look of the many tracks in the photo. I am far more satisfied with this type of image than I would have been with a shot where I zoomed in on the train.

 

4. Look for history This might be the hardest technique as so much rail history has disappeared. When I write about rail history, I'm not talking about steam engines or something that you can only see in a museum, I'm talking about fallen flag cars. I used to shoot images of shortline railway cars and the incentive-per-diem cars that tiny railways built and were still in wide usage when I was younger. I also made sure to get photos of railway fleet cars, which seem to be quite rare now that many railways basically use cars that are part of lease fleets. But, since this is such a challenge, it makes a good catch all the more rewarding!

 

I know that these old Burlington Northern covered hoppers are still fairly common trackside, but for how long? I have photos of old Soo Line covered hoppers that I shot just a few years ago and I haven't seen any since. I like this shot above because I made sure to wait until the yard job in Stratford was passing between the cars so I could grab this shot of the old BN hopper in a unique image.

 

My first thought for this post was to do an exhaustive comparison of how the rail photography hobby has changed since I was younger, but I felt that this approach would come across too much like an angry man shaking his fist at young whippersnappers so I decided to try and take a more even-handed approach.

 

I will say that, unlike when I was younger, today's epically long trains with power on both ends, and often with distributed power in the middle, are something that I never saw when I was younger. And it's a definite improvement for those who are trackside these days. I also like how container trains look from a distance, with so much colour and variety, when taken together as a whole. 

 

See? It wasn't all better back in the day. I'm grateful for what I have now, just I am grateful for what I saw when I was younger. It's all what you make of it. My goal is to make the railways of today, with their lack of diversity, interesting again. Make Railways Interesting Again. MRIA is this year's theme. Let's get to it!

 

Happy New Year everyone. 

Thankful for everything, even the faceless grey hoppers

I once had a conversation with my former parish's priest when I was struggling mentally and he said something that changed my life. He asked me a few questions. Did you ever wonder what a miracle it was, he asked, that you walk into a room, flick a switch and light magically appears? Or when you go to the sink, you pull a faucet and clean water appears? He asked me a series of questions like these and it made me rethink my life entirely. His point was simple. He was telling me I was very fortunate to have all that I have in my life. Since that chat, I have come to recognize the blessings in my life at all times, which have made me much more successful in managing my mental wellness.

For our purposes here, I wanted to share a few photographs from my last few months, many of which I have yet to share on this blog. Many of these shots were taken in my journey to Sarnia by train and my journey home to Ottawa.

There's a saying that it's better to be lucky than be good. I'm lucky indeed. As we near Christmas, I'd like to share a few shots in the spirit of gratitude.

This first shot was taken around sunrise on a cold Nov. 24 morning in Sarnia before I left on Train 84 to head to Toronto and eventually back to Ottawa. This train was backing up in the yard when I arrived at the station, before heading west through the tunnel into Michigan. If you look closely, you can see Via Train 84 on the spur beside the station, before it backed onto the main track. The cloud bank over station made for a cooperative sky that cut down on the shadows. I decided to leave the photo as it was, with no correction. This is one of my favourite shots of the year.

 

Here's a quick shot I grabbed aboard my train home from Toronto. The sun was sinking fast and the light would soon vanish, making any further attempts at photographs moot, but I liked that I got two different GO Transit schemes in this shot, along with a bumper in the bottom of the frame. This looked like a layover yard, which was just a short distance east of Union Station in Toronto. I'm thankful that the train home was not heavily delayed anywhere, which as we all know from last week's fiasco in Brockville, is all too common.

 

Yes, I'm even thankful for the old P42s. This is the train that I took from Fallowfield to Toronto on my way to see family in Sarnia. The city was cover in a light film of ice from a messy evening of freezing rain and snow, so getting to escape that to spend the weekend in warmer climes was certainly a bonus. Also, the fact that I was on an older consist meant that there were no speed restrictions on this train. Granted, the delays from being held for freight trains is another story, but I'm trying to stick with my theme of gratitude.

 

This shot is from my July visit to Stratford, where I was lucky enough to catch a few Goderich Exeter Railway trains in the Stratford yard and on the GEXR Goderich Subdivision. I like this shot because I was able to capture a bit of smoke coming out of the old geeps, as the crew assembled its train in the yard before heading northwest down the Goderich Sub. I have many other photos to share from this trip, which I have yet to sort through for the purposes of a thematic post. 

 

 

Here's a shot from August when my family was in Waterloo for a music camp. I always try to make time to go up to St Jacobs to get some shots of the historic collection of locomotives and rolling stock in the Waterloo Central Railway yard. I like this shot because it captures the back end of an old heavyweight passenger car, a RDC Budd car as well as a repainted switcher. Then there are the axles in the foreground. This is the type of shot I am trying to capture more and more these days. I plan a post in the coming weeks to outline what I feel is the state of railfanning right now and how it has changed my perspectives on the hobby.

 

Looking for your thoughts

 

I'm thankful, as well, for blog reader Kevin from Windsor for alerting me to the fact that Firecrown Media has somehow decided to stop shipping its magazines to Canada, despite the fact that people have subscriptions. He told me he cancelled his subscription, as a result of this decision. I went online to see what was happening, as I have not received my latest issue of Classic Trains, which is a quarterly. It appears that the company that took over Kalmbach Media has indeed made this decision, although no one seems to have been notified. Needless to say, I have cancelled my subscription. Classic Trains was one of the few ties I retained to the United States after this spring's tariffs frenzy. Now, I have cut all ties.

 

I don't mean this as a slight against any blog readers from the States. I grew up on the U.S. border, have family in the U.S. and am an avid Detroit Tigers fan. Putting all politics aside, it's just a prudent measure for me to cut ties at this point. 

 

My question to my fellow railfans from Canada is which magazine should I subscribe to in this country to replace Classic Trains? I'm thinking Branchline, as I am a big fan of the Bytown Railway Society. Does anyone have any other suggestions? 

How two railway photos helped spawn a book

The locomotive hissed and groaned as it inched its way forward. A small band of angry workers held its ground against the rumbling giant. A few of the workers shouted themselves hoarse, trying to get the engineer and the railway police to back off. Others hurled rocks at the train,which was attempting to push its way along the railway siding that led to the Nafziger Textiles plant. In the middle of the barricade stood a bewildered Eddie Daoust, a cigarette pinched between his thumb and index finger. He hadn't smoked in three years but couldn't resist a quick drag since he had a fierce headache from the diesel fumes and noise. 

So begins my short story, King Eddie, a tale that is included in my first volume of short stories, Sunshine at Night. The book was released in 2017 and updated just this fall to include another story (the original book had nine stories and I couldn't live with that).

The image I have included above is from a 1991 photo that was reprinted in my 2008 feature story in the Waterloo Region Record, the newspaper I worked with until 2009. The workers in the photo are striking employees of the Budd Canada plant, which was later known as Kitchener Frame. And yes, it is the same Budd company that also became famous for its rail car division. 

The Kitchener plant once employed as many as 3,300 workers by some estimates, as it was a key cog in the North American automotive parts network. The plant was opened as a direct result of the 1965 U.S.-Canada auto pact, which brought untold jobs to Canada. 

The plant had a colourful history, with years of unprecedented growth and profits, as well as years marked by wildcat strikes and layoffs. The plant closed for good in 2008.

When its owner, Martinrea International, closed the sprawling operation in late 2008, the head of the union local said something to me that was succinct and quite powerful. 

"This time, we won't get back up."

Indeed, it was an awful time in the region, as the automotive parts industry was decimated by the global recession and the freefall of the Detroit Three automakers. Kitchener Frame, in the end, made chassis for GM's line of SUVs, which was well on its way to oblivion.

That photo, to me, is a powerful image that fit the theme of the book Sunshine at Night. These were normal people doing something extraordinary, because they were fighting for what they believed. You don't have to agree with their point of view to admire their courage. The book is very much based on the premise that even the most ordinary life is extraordinary.

But it was the man in the middle, whom I later tracked down, that first inspired the character of Eddie Daoust, along with the man who was the union local president at Kitchener Frame. The man in the photo, John Coleman, had a look of determination in his eyes that made me think there was more to that image that needed to be told. You can even see his cigarette pinched between his fingers in the photo. It was a detail too good not to use in my story.

Truthfully, though, the story was mainly inspired by the head of the plant's union local, who told me, "This time, we won't get back up." He was a tough man, but fair. He often made things difficult for me as a reporter, but he earned my respect nonetheless. He didn't suffer fools gladly and was not afraid to be blunt when he thought the situation called for it. 

On the day I was laid off in 2009, I remember talking to him and he grudgingly said I was an okay reporter and did a decent job. It was high praise from him. I never forgot that brief exchange. 

I'm not mentioning his name, because he went on to other prominent community positions after his time in the CAW (Unifor now) and I honestly don't know what he'd think of my character, Eddie, and his resemblance to him.

But for our purposes, it was the railway image that sparked the initial seeds of the story, because it motivated me to wonder what it would feel like to be in a position where you had the fate of that many people in your hands with everything on the line. The drama was something that felt real and touching, to me.  

Here's the other image that also inspired much of the story.

This photo, above, is from the same story I wrote in 2008, when the old Budd plant closed for good. That story, which was a long feature that ran on the front page, is one of the articles I am most proud of from my time as a reporter. 

But it was this image of a train being held up on the tracks that also inspired my story King Eddie. I know from my dad's time as a unionized worker at a power plant that these types of stand-offs do happen, but this one just seemed too rich to not mine for a good story. That is why this image ended up inspiring the first scene in my story of workers holding off the charge of a train. I can't imagine what that scene was like in real life, but I enjoyed imagining it in my story.

In my time at the Record, I became more and more involved in labour reporting, which I found fascinating, given the high stakes at play in 2008 and 2009 when the manufacturing sector in the region was being pummelled by the recession. I remember once doing an interview with CBC Radio about one of these situations. It was a fascinating time to watch the human drama unfold and try to do it some justice through the written word. I miss that.

The other union stand-off that inspired my story happened at another plant in Kitchener, Ledco, which was owned by the same family that controlled Canadian Bank Note. Ledco was a small company by the time it came to my attention. The company, which once made components for the famed Canadian supersonic fighter jet, the Avro Arrow, was on life support when we received word that the company was essentially out of money.

Long story short, the owners had pressured the company's unionized workforce to take a 25-per-cent wage deduction and 20-per-cent benefits cut in exchange for keeping their jobs. Many of the unionized workers were already laid off, so it was already a tense situation.

What happened next made national news. The workers showed up to work and were locked out. A notice on the plant's doors said they were all terminated and that the business was closed. That began a tense stand-off where workers barricaded the plant and prevented the company's remaining products to be shipped. Ledco, like Kitchener Frame, was a parts supplier to the automotive industry.

Making matters more complicated, a few workers insisted to me that they had taken a vote of their peers and were prepared to accept the company's terms. That vote was not sanctioned by the union, which essentially meant the workforce was divided.

Then, some workers decided to break into the plant and occupy it. That lasted a few days until a court order declared the occupation illegal and cooler heads prevailed. 

One last footnote to the genesis of this story. There was one other plant that closed in my time in the region, which made felt products. I was shocked that such a business even existed in Canada in 2008-09, but it did. There were elements of that company's demise that made it into my story.

The whole point of this is to explain how much a muse the railways are to me in my writing. There is something about the railways and their impact on our country that makes them such a rich image and powerful inspiration to our art. 

It's not just me. How much art in Canada in inspired in some way by our railways?

He rolled down the window. He could hear the faint cries of the morning Via Rail train as it approached Louiston. He knew it would whiz through town just like it had done for years.  

The story, King Eddie, was the beginning of a prolonged period of inspiration that resulted in the book Sunshine at Night. And it was those two powerful railway photos that kickstarted the story, which ended up being one of the centrepieces of a book. 

If you ever wonder why I write about railways the way I do, maybe this will give you some insight into how my mind works. To me, there is an emotional response when I hear a train or see a train. There is something about them that resonates deeply within me. They have always inspired me and they will.  continue to do so. 

A Canada Day doubleheader

When I visited Sarnia this summer to spend time with family, I was lucky enough to have some time trackside at the Sarnia rail yard, which is always a treat for me. I already shared some images of my time in Sarnia, including shots of my first mainline freight train this summer, along with my commentary on the enthusiastic railfans down there, not to mention the oddities I saw off the main line.

First taste of the main line

The Railfans

Off the main line

For this post, I simply wanted to share photos of more mainline action from my time in Sarnia. As much as I love reading railway blogs (and I do) and learn from the commentary and knowledge of my fellow bloggers, I also like to read posts about just being trackside and capturing a passing train. It's a simple pleasure in my life. Sometimes, it doesn't need a whole lot of overthinking. So with that in mind, let's go trackside on the Strathroy Subdivison. 

This is my first glimpse of a westbound freight that was making its way to the tunnel when eastbound Via Train 84 made its way east of the platform of Sarnia station on July 1. I always love to catch a meet, but it's always a challenge to get the light cooperating at this vantage point. Sometimes, the early morning sunshine and the haze makes some compromises inevitable. 

By turning my camera away from the sun and having the Via Rail Venture set out of the way, I was able to get a better view of the westbound CN with a long line of empty autoracks making its way to Michigan. It's interesting how the glare from the Venture set seemed to influence the lighting of the shot in the first image. Take that distraction away and shift the direction of the lens and the sky comes into focus. But it wasn't until the train came closer to the platform that I was in for a true surprise.

 

 

Behind CN ES44DC 2228 was a Canadian Pacific-painted unit. I'm not going to say that shared or leased power is rare on this main line, because I have seen outside power here in my limited time trackside. But I don't recall seeing CP power here before. I'm sure it's more common that I think, but it's still the first time I have seen CP (sigh, okay CPKC) power on the Strathroy Subdivision. 

 

 

The engine was CPKC ES44AC 8907, in the railway's basic red scheme minus the golden rodent and badge logo. One thing I've loved about modern CP engines is how, even after the railway migrated to a more modern paint scheme following its longstanding action livery, the railway still kept its unit operating numbers in the same white italic font. It's a little detail. I'm sure there wasn't any deliberate thought put into this, but I like that it reminds me of days gone by when I would see CP action red units in Windsor with the same operating numbers on the cab. It's the little things that make me happy.

It's weird seeing these two rivals side by side. Look at the difference it makes when you're not fighting the morning sun! The eastward facing images make it look like a cloudy, overcast day but the westward images reveal that it's really another typical Southwestern Ontario sunny summer morning.

Here's a quick shot of Via Train 84 making its way toward the Indian Road overpass while the westbound autorack train picks up momentum as it glides down the descent toward the Paul M. Tellier Tunnel beneath the St. Clair River. 

And speaking of that CPKC railway, here is the unified railway's logo. The beaver and the maple leaf are still prominent, letting people know which one of these former companies was the buyer. 

 

And here's a shot of that action red scheme, which you can still find on occasion on old covered hoppers and autoracks. I've seen a boxcar with the old action scheme in recent years, but that is truly rare. Check out that image of an old CP Rail clad boxcar in this post from London, Ontario: Serving up suds?

 

And here's one final shot of the train making its way down the grade to the tunnel as the rear markers cross the signal gantry. All in all, a cool start to my Canada Day.

 

MESSAGES CHECKED DAILY

 

I want to assure you that I check my messages on the blog each morning in an attempt to encourage everyone to be able to add their comments without fear of censorship. The only comments I delete are spam messages. That was why I switched to moderated messaging. It has nothing to do with anyone that reads here. It has everything to do with the relentless stream of spam messages that plague these blogs.

 

So keep messaging me, by all means. I love to hear form you.

 

hammondDOTmichael77AT gmailDOTcom

 

Michael H. 

 

 

 

 

  

Updated: The smell of diesel in the morning

In mid-July, after my family visited the Sarnia area, we paid a visit to Stratford to spend some time with my in-laws and catch a play at the Stratford Festival. My family ended up seeing Anne of Green Gables, which was an interesting, modern take on the classic story that I have read to both of my daughters numerous times.

While in Stratford, I was able to make it to the CN yard a number of times, but I was also in luck since our AirBnB was close to the Goderich Subdivision; in essence the main line of what it left of the Goderich Exeter Railway. 

Our place was near the Birmingham Street level crossing. Also, we were lucky that St. David Street also parallels the GEXR tracks for a long stretch, which means you are able to both hear the trains coming, when they come, and have the opportunity to scout out a spot to capture them. I was lucky enough to have run into a train twice. Once was on purpose, as I knew the train was outbound for Goderich so I waited. The second time was a fluke, as my daughter and I were stretching our legs during a walk when she heard the rumble to two GP38-2s coming toward us long before I did (my hearing is awful).

I had my iPhone with me so I ventured into the green space beside the tracks and found a small window to capture this shot. As always, with an iPhone, I never use the zoom function as it instantly pixelates your image. Always get as close as you can, safely and legally. Leave the rest of the work to your photo software.

I like this shot more than most of the images I captured this summer, because there's the human element. I was a a little hesitant about sharing it, because I didn't want to identify the crew capturing a bit of fresh air, but it was too good of an image to keep to myself. You can see the GEXR still has an old Southern Ontario Railway unit permanently assigned to Stratford, along with a GEXR unit as its mate. Update: Upon reflection, I blocked out the person's face in this version of the photo just because I didn't feel comfortable identifying him, even if his face is largely unidentifiable to begin with 

 

It was a blazing hot morning when I got this shot, so I'm not surprised the crew wanted a moment for some fresh air as the short train made its way northwest toward Goderich. I'm sure he was wondering who I was and why I was taking shots of the train. How to explain that I'm a train-starved railfan from Ottawa? I didn't come across any railfans around the Stratford CN yard, so possibly they're a rare breed in that area. I don't know for sure.

 

 

The train was clearly a run to the railway's agricultural customers between Stratford and Goderich, as there are many farm clients along this stretch of railway. This Potash Corp. hopper car added a bit of colour to a largely grey consists. Modern rolling stock has become very bland, sadly. 

 

 

The train ended up with a few tank cars on the rear as it made its way out of town. I was happy to catch this train by surprise, as it just added another set of photos among the many I took in Stratford during the week that I was there. I have a number of other photographs to share from around the town during my time there. 

 

My New Book 

 

Those who have followed this blog from the beginning know that I am also an independent author of (now) four books. I don't really have any expectations for these books. I put them out there because someone once told me, "Until you release them, they will never be art. They're just files cluttering up your hard drive." I appreciate the sentiment, but I know these books are not art. Even if they were, it would not be for me to say. 

 

 

My latest book is titled 1999. It's a story of that final lousy summer job you have before you graduate and join the real world. That was the genesis of this story, anyway. I had way too many surreal experiences in my summer of landscaping and working for a property management company for it not to fuel a story. 

 

Truthfully, my story about the real Trailer Park Boys (that's what I called them, for good reason) ended up being about much more.  

 

I am very proud of this book, which has been twenty years in the making. I originally began writing it in 2005 and have worked on it periodically since then. It never seemed like the right moment to release it, until my daughter convinced me to take up my writing again. So there it is. If you are interested in it, you can find all my novels listed on this page of my author's website. There are links to all my books, except for the first one, which was legitimately published by a real publisher, but is now out of print. 

Or you can skip right to the Amazon.ca page to find out about this book.