Enjoy the drama

I've written a lot this year about how I have changed my approach to watching trains, writing about trains and photographing trains. Quite frankly, I'm doing this because I find myself bored with what's out there. Ottawa is essentially a dead zone for railfanning. I find most fans in this city dedicate themselves to the Arnprior Turn, a short train that services Nylene Canada and sometimes Kott Lumber on Wednesdays, via the Smiths Falls Sub, Beachburg Sub and Renfrew Spur.

Online, I often find railfanning photos are focused exclusively on the engines. That's fine if that is what keeps you motivated, but I just don't find these photos all that interesting anymore. There is more to a train than the power up front. Many photos, I find, are tightly focused on the engine with no thought given to the scenery around the train. Again, if this is what you prefer, I can respect that. It's just not my thing.

Here's an example above of a tight shot of an old F59PH commuter diesel passing by the Metro Toronto Convention Centre last November. I took a tight shot of this unit because they have become increasingly rare on Metrolinx rails in the Toronto area.  

Now contrast that with another shot I took from the same vantage point, but with more context. I won't say this is massive improvement over the top shot, but you can at least see some buildings in downtown Toronto, not to mention the Metro Toronto Convention Centre. Possibly the fact that there are two trains in the frame makes the biggest difference. Still, I like that I can see more of the trains in the frame. What comes after the engine matters as much as the engine itself.

This brings me to a point that I don't think I've made in all my ramblings about rail photography this year. In all my images, I feel that giving your photos context also gives your photos drama. I don't means to be dramatic (pun intended) but I will mention that there is an essential truth to what we all do.

That truth is this. When we stand trackside, we all have a sense of anticipation over what is to come or what may come. When we first see headlights on the horizon, we all feel some sort of excitement, wondering what we might be able to capture. Is there a heritage unit? An old piece of rolling stock? An old legacy piece of passenger equipment? A caboose? These are all possibilities.

Then there's this. As we stand trackside, there is always some sense of drama as these massive machines make their way over polished, smooth rail, on their way to deliver people to their loved ones, or to deliver essential goods to make life easier for us all. There is always drama in the movement of a train.

This shot above, taken last April at the Belfast Road overpass in Ottawa, is an example of drama. You can barely see the P42 in front, as it makes its way down the Alexandria Sub to Coteau, Quebec, where it will then make its way to Montreal via the Kingston Subdivision. Can you see the smoke from the engine? Can you sense the momentum building? Do you see the old LRC equipment with the original Via colours? Did you know the houses to the left of the frame belong to a neighbourhood in the city where all streets are named after letters of the alphabet (Avenue A, Avenue B, etc.)?

Here's one of my favourite images, taken last August in Stratford. I like that you see multiple lines of cars in the yard, the faded paint on the old CN engines, the Stratford Masterfeeds grain elevator, the grass in the foreground, the communications tower and some sky. The local was slowly making its way east through the yard on a hot day. I think you can get a sense of what it was like to be standing where I was near Niles Street and what it felt like to see this train.

In other words, I think we need to enjoy the everyday drama of watching these machines and capture some of that drama. 

Taking the track less travelled

This week, as I had a day off following Easter, I decided to head out and get some train photos in Ottawa, which I haven't done in a little while. True to my evolving approach to railway photos, I thought of some new perspectives to showcase trains as part of the landscape. My first thought was to get a shot of a Venture trainset going over the Rideau River on the Beachburg Sub rail bridge.

I have taken photos at this bridge before, but not from the south side. I have taken multiple shots from the north side. In this case, since the sun created shadows on the north side, I decided to try and find a piece of shoreline on the south side to get a decent perspective.

I'll even mix in some observations. This train was heading west toward Fallowfield station with the control cab leading the way, meaning Via Rail has resumed its push-pull operations in the corridor with its Ventures after wyeing many sets in the winter so that the engine was always pulling. A few readers mentioned this change in operations to me, as they had heard from Via personnel that the trains were having trouble in the push configuration over the winter months. 

Anyway, back to my image. In this case, I pulled back from the bridge a fair way so I could get an overall view of the west shoreline. I couldn't pull back far enough to get both the eastern and western shores of the Rideau, but perhaps that is a thought for future visits. The waters on the Rideau were not at their peak, as much of the snowpack has already melted. This allowed me to venture out onto some rocks that are sometimes submerged in the spring. It all helped to frame this image.

Since I had time to catch an eastbound train from Toronto, my thoughts turned to another spot along the Smiths Falls Subdivision, which would allow me to get another unique perspective. Alas, the train had made up significant time between Brockville and Ottawa on home tracks, which meant I had to quickly make my way to Fallowfield Station and try to get something unique there. I am generally avoiding the station these days, as there isn't much I haven't tried there. So I tried to get a shot that was near the station but didn't necessarily scream "station stop" in the photo.

This was the best I could do. I got to the edge of the parking lot and backed away from the tracks as much as I could. I tried to get a shot that showcased the sky and the fallow farm field behind the train. It's not a groundbreaking shot by any means, but it was at least an attempt to avoid the extremely sharp wedge shots that are all too common at this station. I have been guilty of this in the past.

Then, I figured I would try to get a shot of people disembarking from the train, but at a distance, so as to respect their privacy. 

You can see a gentleman in the centre of the platform, waiting for a loved one to get off the train. It would have been nice to get a little closer to the people, but I also wanted to see if I could get a shot of the end of the train as well. It was an imperfect trade-off. I had to decide to either get closer and lose the end of the train, or, by get closer and getting the people, risking having to blank out their faces. I also ensured that I got low, as it tends to add a bit of an element of size. You get a better appreciation as to the size of trains when you shoot them from ground level.

Some new territory

In my quest to find new topics and pursuits to fill this blog, I've begun the process of looking to the past. I recently applied to get a membership card to the Library and Archives Canada, as it is only a bus ride away for me. I have been digging through the online search tools in an effort to find some rail history that interests me and might be of interest to you as well.

One of the topics I've always had in mind is old train stations, especially the ones that have been demolished. It seems as though every city, town and village once had a train station but many are no longer standing. But we still see roads in many communities that are called Railway Street, Terminal Avenue or Station Street. Yet, the actual stations are long gone. 

With that in mind, I have decided to dig up some historic documents to see if I can find out more about some of these old stations. The first one I intend to research is the station in my hometown of Corunna. I did find one document dated 1936 that apparently outlines the details of the station's establishment, decommissioning and removal. 

My hometown station has been a complete mystery to me ever since I found the slightest mention of it in a document a while ago. I have no idea where is was located, what it looked like or how long it was standing. I do know it was shut down when the Pere Marquette Railway discontinued passenger operations in the 1930s on what became known as the Sarnia Subdivision. It's amazing to me that there was regular passenger service at all on that line. I hope I can shed some light on that station. My hometown's history is not terribly well known, and its old train station is almost a ghost in any records that I have found.

I also want to find out more about Kanata's old train station, in Ottawa's west end. That station, which sat on Station Street, is also a complete mystery. I know it stood near modern day March Road along the Renfrew Subdivision. The road remains, but there is not a trace of any old station there. 

Those research efforts are to come. For now, here is an interesting photo I found on the Library and Archives Canada online archives of the old CN station in Windsor, Ont. (Update - See the comments section below. The Library and Archives seems to have mislabelled this image. A reader says it does not match any Windsor railway landmark. In fact, looking at it, I believe this image to be of the Sarnia railway station, which still stands).

There was no information associated with the photo other than that it was the CN station in Windsor. Judging by the heavyweight passenger cars and power lines in the background, the photo could have been taken at any time in the war years. 

So that is a bit of a teaser as to what's to come, hopefully. I really need to shake up the direction of my efforts, I feel, as modern railways in Ottawa just aren't enough to keep this interesting. If you have any topics you'd like to me to research, feel free to let me know. I can't guarantee I will find anything, but I'm willing to try.

It's time to change the approach to . . . everything

I've been trying to put into words what it is that I have been trying to do with my rail photography recently, but I think I've fallen short. That was until I read the comments to my last post when a few fellow railfans commented and the words came to mind. So thanks to Steve and J.D.

And here is how I came to clarify my new approach to rail photography. It started with a memory of what my counsellor told me many years ago when I was struggling with my mental health. His name was Woody and what he told me I never forgot. He said, "No one makes you feel anything. People act and you choose how you REact." It was a revelation to me at the time.

That made me think of how I am approaching my photography right now. I thought back to what my counsellor said and I applied it to my hobby. I have no control over what railways do, which is in line with another thing my counsellor told me. He said, "You have no control over anything but yourself." I am applying those lessons in my photography. Since I have no control over how the rail industry has changed, I can at least control how I approach my photos.

So here is my new approach, boiled down to something more pithy, thanks to recent comments from readers and old lessons from my counsellor.

Railways might be more standardized, boring and faceless these days. I don't know if anyone can argue this. I cannot change this.

If you can't change the trains, change everything else in your camera's frame. That means change your angles, your spot, your height, your lighting, your choice of background, your location, your time of day, your approach to the sky, your . . . well, everything. 

This photo above is perhaps not the ideal image to prove my point, but bear with me. In this frame, you can see the interior lights of my Venture coach and the reflection of the laptop screen of the young lady sitting in front of me. I tried to get images that would avoid the interior glare but this is the best I could do. In the image, you can see a string of GO coaches in the background and part of an old Via F40PH-2 in the foreground. The Via engine looks like it has just completed a run from Montreal or possibly Ottawa. It needs to go through the washing station, for sure. The buildings in the background tell you this is Toronto and the platforms tell you this is near Union Station. Put all those elements together, and you have some context about where this photo was taken. 

As for the computer screen in front of me, I do have a funny story to share about that. I couldn't help but notice via the reflection in the glass that the young lady in front of me was attempting to study for an exam or possibly upcoming test. However, she was also clearly messaging friends, which meant her attempts at studying were distracted at best, and I say that nicely. She was mostly messaging. At times on the ride, I wondered when she would give up the ghost with her studies. Whatever it was she was trading messages about was clearly her main focus.

Here's another image that I have come to enjoy. I took this shot at Via Rail's Windsor Station when I paid a very brief visit to the city in 2024. Here you don't see the front end power or much of the train, but you get to see a timeless scene of people boarding an eastbound train for Toronto at the station. I like that you can see the people in silhouette (sort of), a beautiful fall sky, the coaches and the station. It's a scene that could have been captured 20, 30, 40 or even 100 years ago. The trains and stations might look different but the scene is the same. Timeless. 

How many times do we stop to capture a bit of humanity in our images? After all, trains are still a very human endeavor.

Here's an example of angles. I have more photos of Via Rail corridor trains than anything else, so I have given a lot of thought in past years as to how I can capture images of them in different contexts. This is a shot of incoming Sarnia-Toronto Train 84 making its way into Stratford across Niles Street. I deliberately stepped back and made sure I got the people waiting at the crossing (on the left) as well as the cars waiting on the other side. You can also see the railway stop sign. There are many elements in this image, which made the task of framing the train a bit of a challenge, but I like the end result. So often, I find we obsess over getting the train or locomotive itself but lose sight of getting its surroundings. 

I would have liked to attempt this shot from the other side, but the harsh summer sun meant the shadow side of the train would have ruined the image of that train on the curve.

Here's one final image that I captured in February 2021 on the Canadian Pacific Winchester Sub at Bedell, Ontario. There was a maintenance of way crew working on the South Prescott Spur to Oxford Station, with a genuine CP caboose sitting on the spur, offering a warm place for crews to get out of the biting cold. I took a few shots of the caboose but I made sure to back up and get a shot of all the surroundings, so I could have a complete picture. The fencing in the foreground and the enormous pile of ties gives you can idea of the scale of the work being done here. I only wish I could have done a better job with the morning sky, as it did not turn out nearly as crisply as I would have liked. 

With these images, I hope I have made my new approach clear. It's time to change my approach to everything in my rail photography outside of the trains themselves. I've done this in fits and starts over the years, but I'm really trying to make it a major focus going forward. It doesn't mean I'm not taking standard photos anymore. I am. But at a time when everything tends to look the same, the one major thing about rail photography that provides endless variety is your background. And that is what I am trying to change in my images.