Wrong place, right time

After the school year was through, my family headed out of town to Toronto to do some touristy things. While there, I was able to sit trackside for a little while, taking in the continuous movement of trains in and out of Union Station, most of them GO Trains as well as the Union Pearson Express. This time around, my family decided to stay at a hotel near the airport and commute into the downtown aboard the UP Express. This made our trip much easier, as the downtown was packed with fans for a Friday World Cup match at BMO Field, uh Toronto Stadium. 

I was quite impressed with the overall experience of riding the UP Express. At our hotel, you could catch an hourly shuttle to the airport, where the UP Express leaves from an elevated platform, high above ground level. The train itself is quite comfortable. The seats are very much a step above what you would expect to find on a commuter train. The fare for the downtown service is about $12, depending on your age. There are also family passes, which we used several times.

In total, the trip takes about 20 minutes. The cars feature lots of storage space for luggage, which is to be expected, given its purpose in serving the airport. What I did not expect was that the train is very much in use as a local commuter connection for Toronto residents. It makes stops at Weston, Mount Dennis and Bloor before ending its eastbound journey at Union Station. While aboard, I took a quick shot of the layup yard west of Union Station, where a few GO Trains were parked before heading back into service during peak times.

On our first day downtown, my wife took my oldest daughter to enjoy some theatre while my youngest wanted to go to the Hockey Hall of Fame, which is just a quick walk from Union Station. We had a good time there, as the Hall of Fame is very much geared toward young people. When we were done, we proceeded back to Union Station and took a quick walk along the Skywalk, which is an interior pathway from Union Station over the tracks to the CN Tower. At that point, it becomes an outdoor pathway to the Rogers Centre (I almost typed in SkyDome). 

After a walk to the Rogers Centre and a few photos, we decided to head back to the Union Station food court for an early dinner and a train ride back to the airport aboard the UP Express. I did get a few photos of GO Trains. I thought this one was nice, as the train is emerging from the shadow of the stadium as it makes its way to the station.

But it was on the way back to the station that I saw something I had never seen before.

I had to look twice before I realized I was seeing the Canadian, Via Rail's premier transcontinental* train. I have only seen this train one other time, just barely, as I caught a glimpse of it backing into Union Station from my hotel near the tracks. Those photos were mostly useless. 

(* - transcontinental is a bit of a stretch, as it covers the distance from Toronto to Vancouver in each direction, although in earlier times, the Canadian also served Montreal as well) 

This time around, I was able to confirm with a friend in Toronto that this was indeed Train 2, hours late, in the wrong place at the wrong time, essentially. My friend said the train was overly late arriving at the station and was parked in an awkward spot, as it was getting near to the evening rush hour, when GO Trains would be flocking to the station. It was bad timing for Via Rail, but perfect for me. 

 

Given the glass in the Skywalk is almost universally clouded, I had a hard time finding a decent pane that would allow me to get a good image of the train. This attempt was okay, but I would have liked to find a wider angle.

 

This shot from almost directly overhead was okay as well, especially since I was able to get an evening GO Train in the same frame. However, it doesn't do the Canadian justice, as you cannot really make out the train's true character from this vantage point. You can make out the two F40s, hitched to each other elephant style, but other than that, there aren't a lot of clues to let you know what train this is, unless you are in the know.

 

Here's one final shot, with another GO Train on the left of the frame. Again, since my choices were limited by the quality of the glass I was shooting through, I did the best I could and tried a few different angles. The other limiting factor was that the train was only partially visible from beneath the train shed.

 

That lucky meeting with the Canadian kicked off a week of epic railfanning, both in Toronto and in the Sarnia area, where I was visiting family for a few days afterward. Much more to come from my summer travels. 

Enjoy the drama

I've written a lot this year about how I have changed my approach to watching trains, writing about trains and photographing trains. Quite frankly, I'm doing this because I find myself bored with what's out there. Ottawa is essentially a dead zone for railfanning. I find most fans in this city dedicate themselves to the Arnprior Turn, a short train that services Nylene Canada and sometimes Kott Lumber on Wednesdays, via the Smiths Falls Sub, Beachburg Sub and Renfrew Spur.

Online, I often find railfanning photos are focused exclusively on the engines. That's fine if that is what keeps you motivated, but I just don't find these photos all that interesting anymore. There is more to a train than the power up front. Many photos, I find, are tightly focused on the engine with no thought given to the scenery around the train. Again, if this is what you prefer, I can respect that. It's just not my thing.

Here's an example above of a tight shot of an old F59PH commuter diesel passing by the Metro Toronto Convention Centre last November. I took a tight shot of this unit because they have become increasingly rare on Metrolinx rails in the Toronto area.  

Now contrast that with another shot I took from the same vantage point, but with more context. I won't say this is massive improvement over the top shot, but you can at least see some buildings in downtown Toronto, not to mention the Metro Toronto Convention Centre. Possibly the fact that there are two trains in the frame makes the biggest difference. Still, I like that I can see more of the trains in the frame. What comes after the engine matters as much as the engine itself.

This brings me to a point that I don't think I've made in all my ramblings about rail photography this year. In all my images, I feel that giving your photos context also gives your photos drama. I don't means to be dramatic (pun intended) but I will mention that there is an essential truth to what we all do.

That truth is this. When we stand trackside, we all have a sense of anticipation over what is to come or what may come. When we first see headlights on the horizon, we all feel some sort of excitement, wondering what we might be able to capture. Is there a heritage unit? An old piece of rolling stock? An old legacy piece of passenger equipment? A caboose? These are all possibilities.

Then there's this. As we stand trackside, there is always some sense of drama as these massive machines make their way over polished, smooth rail, on their way to deliver people to their loved ones, or to deliver essential goods to make life easier for us all. There is always drama in the movement of a train.

This shot above, taken last April at the Belfast Road overpass in Ottawa, is an example of drama. You can barely see the P42 in front, as it makes its way down the Alexandria Sub to Coteau, Quebec, where it will then make its way to Montreal via the Kingston Subdivision. Can you see the smoke from the engine? Can you sense the momentum building? Do you see the old LRC equipment with the original Via colours? Did you know the houses to the left of the frame belong to a neighbourhood in the city where all streets are named after letters of the alphabet (Avenue A, Avenue B, etc.)?

Here's one of my favourite images, taken last August in Stratford. I like that you see multiple lines of cars in the yard, the faded paint on the old CN engines, the Stratford Masterfeeds grain elevator, the grass in the foreground, the communications tower and some sky. The local was slowly making its way east through the yard on a hot day. I think you can get a sense of what it was like to be standing where I was near Niles Street and what it felt like to see this train.

In other words, I think we need to enjoy the everyday drama of watching these machines and capture some of that drama. 

It's time to change the approach to . . . everything

I've been trying to put into words what it is that I have been trying to do with my rail photography recently, but I think I've fallen short. That was until I read the comments to my last post when a few fellow railfans commented and the words came to mind. So thanks to Steve and J.D.

And here is how I came to clarify my new approach to rail photography. It started with a memory of what my counsellor told me many years ago when I was struggling with my mental health. His name was Woody and what he told me I never forgot. He said, "No one makes you feel anything. People act and you choose how you REact." It was a revelation to me at the time.

That made me think of how I am approaching my photography right now. I thought back to what my counsellor said and I applied it to my hobby. I have no control over what railways do, which is in line with another thing my counsellor told me. He said, "You have no control over anything but yourself." I am applying those lessons in my photography. Since I have no control over how the rail industry has changed, I can at least control how I approach my photos.

So here is my new approach, boiled down to something more pithy, thanks to recent comments from readers and old lessons from my counsellor.

Railways might be more standardized, boring and faceless these days. I don't know if anyone can argue this. I cannot change this.

If you can't change the trains, change everything else in your camera's frame. That means change your angles, your spot, your height, your lighting, your choice of background, your location, your time of day, your approach to the sky, your . . . well, everything. 

This photo above is perhaps not the ideal image to prove my point, but bear with me. In this frame, you can see the interior lights of my Venture coach and the reflection of the laptop screen of the young lady sitting in front of me. I tried to get images that would avoid the interior glare but this is the best I could do. In the image, you can see a string of GO coaches in the background and part of an old Via F40PH-2 in the foreground. The Via engine looks like it has just completed a run from Montreal or possibly Ottawa. It needs to go through the washing station, for sure. The buildings in the background tell you this is Toronto and the platforms tell you this is near Union Station. Put all those elements together, and you have some context about where this photo was taken. 

As for the computer screen in front of me, I do have a funny story to share about that. I couldn't help but notice via the reflection in the glass that the young lady in front of me was attempting to study for an exam or possibly upcoming test. However, she was also clearly messaging friends, which meant her attempts at studying were distracted at best, and I say that nicely. She was mostly messaging. At times on the ride, I wondered when she would give up the ghost with her studies. Whatever it was she was trading messages about was clearly her main focus.

Here's another image that I have come to enjoy. I took this shot at Via Rail's Windsor Station when I paid a very brief visit to the city in 2024. Here you don't see the front end power or much of the train, but you get to see a timeless scene of people boarding an eastbound train for Toronto at the station. I like that you can see the people in silhouette (sort of), a beautiful fall sky, the coaches and the station. It's a scene that could have been captured 20, 30, 40 or even 100 years ago. The trains and stations might look different but the scene is the same. Timeless. 

How many times do we stop to capture a bit of humanity in our images? After all, trains are still a very human endeavor.

Here's an example of angles. I have more photos of Via Rail corridor trains than anything else, so I have given a lot of thought in past years as to how I can capture images of them in different contexts. This is a shot of incoming Sarnia-Toronto Train 84 making its way into Stratford across Niles Street. I deliberately stepped back and made sure I got the people waiting at the crossing (on the left) as well as the cars waiting on the other side. You can also see the railway stop sign. There are many elements in this image, which made the task of framing the train a bit of a challenge, but I like the end result. So often, I find we obsess over getting the train or locomotive itself but lose sight of getting its surroundings. 

I would have liked to attempt this shot from the other side, but the harsh summer sun meant the shadow side of the train would have ruined the image of that train on the curve.

Here's one final image that I captured in February 2021 on the Canadian Pacific Winchester Sub at Bedell, Ontario. There was a maintenance of way crew working on the South Prescott Spur to Oxford Station, with a genuine CP caboose sitting on the spur, offering a warm place for crews to get out of the biting cold. I took a few shots of the caboose but I made sure to back up and get a shot of all the surroundings, so I could have a complete picture. The fencing in the foreground and the enormous pile of ties gives you can idea of the scale of the work being done here. I only wish I could have done a better job with the morning sky, as it did not turn out nearly as crisply as I would have liked. 

With these images, I hope I have made my new approach clear. It's time to change my approach to everything in my rail photography outside of the trains themselves. I've done this in fits and starts over the years, but I'm really trying to make it a major focus going forward. It doesn't mean I'm not taking standard photos anymore. I am. But at a time when everything tends to look the same, the one major thing about rail photography that provides endless variety is your background. And that is what I am trying to change in my images.

One last kick at the can for the F59PH

Recently, I shared some photos and thoughts about GO Train service in Kitchener, where Metrolinx has enjoyed success with its Kitchener-Union Station service. I was camped out on an overpass this past summer to capture the morning run of Train 3962 eastbound for Union Station. That train was being led by 559, one of GO's old F59PH locomotives, a reliable warhorse that was built by the old Electro-Motive engine production facility in London, Ont. 

At the time, I couldn't help but wonder if the F59PH was into its final days with GO Transit, as very few still remain on the GO roster. Later in that same day, I was told that 559 had broken down between Kitchener and Guelph. 

Shortly after the Kitchener post went live, I got some interesting information from a blog reader, which I will share here in its entirety:

GO bought F59s from Los Angeles Metrolink and they are sitting in North Bay for rebuild so, by the looks of things, the last days in green of that loco type is some time away. I suspect the idea is to add to the power pool as newer engines get fitted with ECTS signalling, and also possibly 2MW battery packs to replace one Cummins on the MP54s. 

Shortly after that comment, I got further confirmation from another reader that, indeed, more F59PHs were on the way, which means that these old engines will be seen in and around the GTA for the time being. 

In November, I had a small layover in Toronto on my way to see family in Sarnia, so I camped out trackside near the Metro Toronto Convention Centre, when I found this GO Train heading eastbound toward Union Station, led by F59PH 561 in the old GO scheme. As I don't get a chance to shoot much but Via Rail trains in Ottawa, it was a treat to find a few GO Trains with different paint schemes. 

Besides the continuing presence of the F59PHs in revenue service, it was interesting to see a few of the old cab control cars in the middle of some GO Trains, as they had been refurbished and converted to regular passenger cars. A friend of mine was nice enough to meet me at Union. He was the one who pointed this out to me. 
 

Speaking of 559, it was back in revenue service when I was in Toronto in November. I caught it creeping eastward toward Union with a newer GO unit heading in the same direction a few tracks over.

In my last post, I made a point to explore the different approaches I have taken of late to rail photography. These photos would not be reflective of those new approaches. I was simply watching trains on my layover and taking shots fairly casually as I hung out with my friend. Still, any time you can get two trains in a shot, with different units, it's not the worst shot.

The London plant built 72 F59PH units from 1988 to 1994, along with 83 F59PHI locomotives for American customers. GO once rostered 49 of the original F59PH units, many of which have moved on to other railways or retired. 

The one thing that I don't know is if the F59s on their way to GO are the original models that we all know in Canada or the F59PHI models, which look different, especially near the cab. 

Personally, I kind of like the boxy look of the old GO 59s, as they remind me of the F40PH-2s that have served Via Rail well for decades. The Metrolink units have a sleeker nose and cab, but they seem a bit awkward aesthetically, in my opinion. Details, details...

I wanted to share on shot from the day when I caught these F59s that might be considered a little different from the usual 3/4 wedge shot. Although I was not trying to reinvent the wheel with the above two shots, I did try and get a shot of the train sheds at Union. The Skywalk overpass didn't do me any favours from this vantage point, but I did like that I caught a GO Train on one end of the sheds and a Via corridor train on the other end.

My chances to catch something from the platforms were limited, as crews don't want people wandering around the train sheds so I tried to sneak a few shots here and there.

I like this as a slice of life shot where passengers were waiting their turn to get on the escalators that would take them into the arrivals hall of the station. Sometimes, train shots can have the trains on the periphery and still tell a good railway story. I have a few other shots in and around Union that I took on my way back to Ottawa, but I will save them for another post. 

I have to say, I am happy that the F59s are going to continue to ply the rails for a while. The old boxy ones that have served GO well for decades are unsung heroes. Catch them while you can. 

Make Railways Interesting Again

Being a railway enthusiast sure is different these days. I am not going to go down the road of saying everything was better when I was young. It wasn't. Some things I found were better while other things were not. But I will say this. Railways have taken on a sameness, for lack of a better term, and it's really affected my enjoyment of rail photography.

Again, I won't say that things aren't what they used to be, across the board, because there are some aspects of railways today I find fascinating. But I cannot get excited by endless container trains, at least in that, once you get your initial photographs of the power up front, there really isn't much left to photograph. The same can be said for most rolling stock. Most covered hoppers are endless strings of grey, with only their alphabet soup of lease company reporting marks to offer any variety. The same has always been true for most tank cars, as this continental fleet has been under the control of leasing companies for far longer than other cars.

The question is what can we do to keep this hobby fresh when there is so much blank space on cars and so little diversity? With most railways not investing much in new rolling stock, there's not much variety in the average freight train. Also, with much of the fleet of fallen flag cars on its way to the scrapper's torch, there's a scarcity of history to capture.

Over the last few years, I have found that I have begun to refine my approach to railfanning quite a bit, without even realizing it. These small changes I have made to my approach have really allowed me to make the most of what there is to capture out there these days. I'm not saying it's for everyone. I understand that there are people younger than me who don't have the same experiences I have in my arsenal, so they don't know what they're missing, so to speak.

For that matter, there are people older than me who could say the same thing about my outlook. I will never know the luxury of their past experiences, so I cannot say whether their time spent trackside while young was better than my time spent trackside when I was young.

So here is my refined approach to railfanning, developed with modern railways in mind. 

1. Don't begin and end your time trackside documenting power only This might be my biggest disappointment when I look at the work of others. It's also a critique I have of my own work at times. So many videos today essentially follow the power to the detriment of actually cataloging the entire train. I try to look for shots of the train from different angles. This means finding interesting trackside infrastructure to frame the entire train against. I find shots of engines with no context are not terribly interesting anymore. Unless I know where the shot is being taken and the context of the train's movements, I am not all that excited.

Look at the shot above from Smiths Falls in 2017 and look at the shot below, taken with details in mind. I know which one I prefer.

 

2. Try and get the big picture This is one of the hardest challenges of rail photography and it often goes against our natural desire to get as close to the action as possible. I think we spend so much time shooting the power that we forget how powerful an image can be when it incorporates an entire train. There is certainly a trade off here. Your shot will not be as close and the train will not be as prominent, but I think it's a good compromise sometimes, when it works out.

 

This shot shows the limitation of my former camera, as I took this shot outside of Sarnia in 2013. I shared similar photos of this train in a past post, but this one at least captures the majority of the train. It also gives you an idea of the train's length as well as the topography outside Sarnia and the time of year. There are many details to consider. 

 

3. Change your perspective This is where I find I am having the most success and fun. I am always on the lookout for a new perspective, whether is be down low, on a bridge, shooting a train on a bridge, or just finding a creative way to capture a train in a way that doesn't mimic a standard rail shot. I think the best recent example of this was when I shot some GO Trains in Toronto in November, when I was travelling between Ottawa and Sarnia. I will have a few posts from Toronto later on.

 

This shot, taken in November, is an example of all the different techniques I have been trying recently. I am on a bridge over the downtown tracks, which means I have a different perspective. I also deliberately framed the cityscape in the shot, and placed the train to the far right of the image. Finally, I didn't zoom in on the train, which would have meant I couldn't capture the entire consist. I deliberately kept the train small in the image, so I could capture the big picture. I also like the look of the many tracks in the photo. I am far more satisfied with this type of image than I would have been with a shot where I zoomed in on the train.

 

4. Look for history This might be the hardest technique as so much rail history has disappeared. When I write about rail history, I'm not talking about steam engines or something that you can only see in a museum, I'm talking about fallen flag cars. I used to shoot images of shortline railway cars and the incentive-per-diem cars that tiny railways built and were still in wide usage when I was younger. I also made sure to get photos of railway fleet cars, which seem to be quite rare now that many railways basically use cars that are part of lease fleets. But, since this is such a challenge, it makes a good catch all the more rewarding!

 

I know that these old Burlington Northern covered hoppers are still fairly common trackside, but for how long? I have photos of old Soo Line covered hoppers that I shot just a few years ago and I haven't seen any since. I like this shot above because I made sure to wait until the yard job in Stratford was passing between the cars so I could grab this shot of the old BN hopper in a unique image.

 

My first thought for this post was to do an exhaustive comparison of how the rail photography hobby has changed since I was younger, but I felt that this approach would come across too much like an angry man shaking his fist at young whippersnappers so I decided to try and take a more even-handed approach.

 

I will say that, unlike when I was younger, today's epically long trains with power on both ends, and often with distributed power in the middle, are something that I never saw when I was younger. And it's a definite improvement for those who are trackside these days. I also like how container trains look from a distance, with so much colour and variety, when taken together as a whole. 

 

See? It wasn't all better back in the day. I'm grateful for what I have now, just I am grateful for what I saw when I was younger. It's all what you make of it. My goal is to make the railways of today, with their lack of diversity, interesting again. Make Railways Interesting Again. MRIA is this year's theme. Let's get to it!

 

Happy New Year everyone. 

Thankful for everything, even the faceless grey hoppers

I once had a conversation with my former parish's priest when I was struggling mentally and he said something that changed my life. He asked me a few questions. Did you ever wonder what a miracle it was, he asked, that you walk into a room, flick a switch and light magically appears? Or when you go to the sink, you pull a faucet and clean water appears? He asked me a series of questions like these and it made me rethink my life entirely. His point was simple. He was telling me I was very fortunate to have all that I have in my life. Since that chat, I have come to recognize the blessings in my life at all times, which have made me much more successful in managing my mental wellness.

For our purposes here, I wanted to share a few photographs from my last few months, many of which I have yet to share on this blog. Many of these shots were taken in my journey to Sarnia by train and my journey home to Ottawa.

There's a saying that it's better to be lucky than be good. I'm lucky indeed. As we near Christmas, I'd like to share a few shots in the spirit of gratitude.

This first shot was taken around sunrise on a cold Nov. 24 morning in Sarnia before I left on Train 84 to head to Toronto and eventually back to Ottawa. This train was backing up in the yard when I arrived at the station, before heading west through the tunnel into Michigan. If you look closely, you can see Via Train 84 on the spur beside the station, before it backed onto the main track. The cloud bank over station made for a cooperative sky that cut down on the shadows. I decided to leave the photo as it was, with no correction. This is one of my favourite shots of the year.

 

Here's a quick shot I grabbed aboard my train home from Toronto. The sun was sinking fast and the light would soon vanish, making any further attempts at photographs moot, but I liked that I got two different GO Transit schemes in this shot, along with a bumper in the bottom of the frame. This looked like a layover yard, which was just a short distance east of Union Station in Toronto. I'm thankful that the train home was not heavily delayed anywhere, which as we all know from last week's fiasco in Brockville, is all too common.

 

Yes, I'm even thankful for the old P42s. This is the train that I took from Fallowfield to Toronto on my way to see family in Sarnia. The city was cover in a light film of ice from a messy evening of freezing rain and snow, so getting to escape that to spend the weekend in warmer climes was certainly a bonus. Also, the fact that I was on an older consist meant that there were no speed restrictions on this train. Granted, the delays from being held for freight trains is another story, but I'm trying to stick with my theme of gratitude.

 

This shot is from my July visit to Stratford, where I was lucky enough to catch a few Goderich Exeter Railway trains in the Stratford yard and on the GEXR Goderich Subdivision. I like this shot because I was able to capture a bit of smoke coming out of the old geeps, as the crew assembled its train in the yard before heading northwest down the Goderich Sub. I have many other photos to share from this trip, which I have yet to sort through for the purposes of a thematic post. 

 

 

Here's a shot from August when my family was in Waterloo for a music camp. I always try to make time to go up to St Jacobs to get some shots of the historic collection of locomotives and rolling stock in the Waterloo Central Railway yard. I like this shot because it captures the back end of an old heavyweight passenger car, a RDC Budd car as well as a repainted switcher. Then there are the axles in the foreground. This is the type of shot I am trying to capture more and more these days. I plan a post in the coming weeks to outline what I feel is the state of railfanning right now and how it has changed my perspectives on the hobby.

 

Looking for your thoughts

 

I'm thankful, as well, for blog reader Kevin from Windsor for alerting me to the fact that Firecrown Media has somehow decided to stop shipping its magazines to Canada, despite the fact that people have subscriptions. He told me he cancelled his subscription, as a result of this decision. I went online to see what was happening, as I have not received my latest issue of Classic Trains, which is a quarterly. It appears that the company that took over Kalmbach Media has indeed made this decision, although no one seems to have been notified. Needless to say, I have cancelled my subscription. Classic Trains was one of the few ties I retained to the United States after this spring's tariffs frenzy. Now, I have cut all ties.

 

I don't mean this as a slight against any blog readers from the States. I grew up on the U.S. border, have family in the U.S. and am an avid Detroit Tigers fan. Putting all politics aside, it's just a prudent measure for me to cut ties at this point. 

 

My question to my fellow railfans from Canada is which magazine should I subscribe to in this country to replace Classic Trains? I'm thinking Branchline, as I am a big fan of the Bytown Railway Society. Does anyone have any other suggestions? 

The last days of the F59PH

In my travels this summer, I managed to find myself in Kitchener for a few mornings. I used to live in this city when I worked for the daily newspaper, the Record. At that point, I was not in the practice of taking rail photos. So whenever I find myself back in the KW area, I always make sure to check out what is happening on the rails. 

Kitchener's rails have undergone a fair bit of change since I lived in the city back in 2007-09 For one, the Goderich Exeter Railway has given way to Canadian National on the Guelph Subdivision. Also, Metrolinx has a dedicated daily commuter train going to and from Toronto Union Station. One morning, I had the chance to catch the GO Train. I was surprised by what I saw.

 

I didn't know that Metrolinx still rostered any of its F59PH units. In this case, 559 was the power for the day. I managed to get some shots from the St. Leger Street overpass just east of the Kitchener railway station. You can see a member of the crew to the left of the old F59PH, getting some fresh air before the morning's departure.

The F59PH was GO Transit's power of choice for years, as the commuter service rostered 49 of these locomotives, which were built between 1988-1993 at EMD in London. They served GO Transit (Metrolinx) well, and a few remain on the commuter railway's roster, which I have come to learn. My information puts the number at eight in total.

On this morning, 559 was leading Train 3962. I did run into an F59PH a few other times, although mostly I see the MP40PH-3Cs and MP54AC units when I am in the Toronto area. Still, it's fun to see the old F59s, which bear some resemblance to the F40PH-2, a few of which Via Rail continues to use. 

I did get a few more shots on the overpass before I headed out to another nearby road for a shot at a level crossing. There are many level crossings in this part of the city, which tend to snarl traffic, particularly on Lancaster Street, which is right next to the CN yard. 

The shot above shows you how far ahead the Metrolinx engineer has to pull the consist ahead of the station (to the left of the rear of the train), just to get the people into the right cars. They certainly never envisioned passenger trains this long when they built this station.

The shot below gives you a better idea of the changing skyline in and around downtown Kitchener. The mix of the old and the new is quite striking in some places. In this shot, I was trying to get a glimpse of the old Krug building beside the train station. You can just see a hint of it to the right of the end of the train, mostly hidden by trees. Contrast that with tall, sleep towers in the distance. 

I had time to get another few shots, below, at the Margaret Street crossing, as the eastbound slowly geared up and made its way out of Kitchener toward Guelph. Truthfully, I was trying to catch CN freight trains near Lancaster Street that morning, but the crew had yet to sign on for the morning and I was pressed for time. I was fortunate to catch some freight action on another morning, which I will share in another post.

I also made sure to get a good going away shot, which is always a necessity when you can do so safely and legally. Control cab car 255 was bringing up the rear on a very sunny, hot, hazy morning. Getting clear shots in the harsh morning sun was not feasible from this angle. Sometimes, you have to work with what you are given.

As an interesting postscript, I later learned that the old F59PH broke down shortly after leaving Kitchener, which leads me to wonder how many more days these units have left in revenue service. 

Update on Moderation of Messages 

In recent months, I have begun to moderate my messages due to the proliferation of spam messages that were infiltrating my entire history of posts. I have found that the number of comments I get from readers is down sharply. The good news is the spammers have only tried to break through my moderation feature one time since I began moderating the messages. I encourage you to let me know what you think and point out any additional information or mistakes. I monitor the messages submitted regularly.

Update on my Book, 1999

My new novel, 1999, is now available on Amazon.ca. It is printed in Bolton, Ont. and the proceeds go to the Canadian arm of the company, as well as me, as per my modest royalty. I can assure you no one gets rich selling books this way. It was the best I could do to put something out there without running afoul of the trade wars. 

 

You can check out the book on Amazon or go to my author's website to learn more about the four books I have published over the years. I can say that 1999 has a few dramatic scenes featuring railways. Most of my stories features trains in some fashion.

Finally, you can check out my other blog, where I talk about random things related to my writing. My latest post is about how truly bizarre the year 1999 actually was.  

All the book links are also included in the sidebar. This will be a permanent feature to the blog.  

That time in Toronto

It's nice to be able to live again, without a cloud hanging over every aspect of my family's life. I am happy to share that our family is safely in our new home and our nightmare is pretty much over. That said, let's talk about trains. 

In early June, my family made a quick trip to Toronto to a Blue Jays game, which was a first for my two daughters. You can read about what we saw on the way to Toronto in this post. After we arrived, we stayed at the hotel attached to the Rogers Centre, so it was conveniently located near the downtown Metrolinx/Via tracks, which made for some great railfanning for me. Never mind the quick visit I was able to make to the Toronto Railway Museum, right across from the baseball stadium. I will leave those images for another post. 

Obviously, on a game day, my family was around the baseball stadium, which meant we were able to see plenty of GO Trains. I did even see one still being pulled by an old F59, but I was not quick enough to get an image of that one. But I did like this shot taken in front of the city's convention centre. The mix of old and new Metrolinx green is quite common on GO Trains still.

This shot below was taken from a pedestrian walkway above the tracks right beside the Rogers Centre. I like that this image captures the length of the train, the shadows mid-train and the signals. The lighting was tricky to work with, but a bit of colour correction helped define the train a little more clearly.

I wasn't able to devote a lot of time to train watching, as our goal was to fulfill a Christmas promise to take the girls to a game and let them choose one piece of team memorabilia at the team shop. However, given the steady stream of commuters to and from downtown, there was lots to shoot in a short period of time.

In addition to the GO Trains making their way to and from Union Station, I also managed to get a few shots of the UP Express, short for Union-Pearson Express. This is the three-car consist making its way past the convention centre. The UP Express has both three- and two-car consists plying the rails to and from the airport. The frequency of these trains was pretty steady as I was trackside. I know a few people who have made use of this service. They tell me it is a great experience. You can just see my daughter's hand in the bottom of the photo.

I have to admit that I hung out at my hotel room window way too much when I returned from the game. I found the steady flow of trains and the gentle rumble of the diesel engines oddly captivating. Here's a shot of a P42 with a Love the Way wrap leading a LRC consist past my window. The final car in this train was a refurbished HEP silver streamliner. The architecture of the hotel room meant I could not entirely crop out the part of the building that jutted out and obstructed my view. The grey cityscape really makes the yellow Via logo on the P42 stick out. It was fun to get shots of trains from up high. It's not something I've been able to do often.

Speaking of wraps. Here's a GO coach with a Desjardins message for riders.

Call this next shot a milestone shot, even if it was taken through a window at an impossible angle with some issues with glare. It's a moral victory for me because this is the first time I have ever captured the Canadian. You can see the multiple F40 units on point, as the consist backs into Union Station as a GO Train heads in the opposite direction with the control cab leading the way. The Canadian was on the track closest to my hotel, which made it hard to capture. It took me a moment to realize what this train was. I'm glad I was taking photos of it all the same. You can see some of the gargoyles from the Rogers Centre obstructing the view. Nothing to be done. Beggars can't be choosers.

I thought I'd finish with this shot. If you've ever been in Union Station and find yourself descending the ramp from the main hall to the area where people line up for their trains, you might notice this old plaque off the to the side. I find it interesting that the railway thought enough of its employees that it felt it had to erect a small monument saluting their service to our country during wartime. The plaque doesn't specify any war. It's quite a contrast to the railways of today, spanning continents and more focused on shareholder value than their employees sacrificing their lives for the cause of freedom. I'm not mentioning this as a critique, per se. Times change. It's just interesting to have a glimpse of where the CPR's corporate mentality was, once upon a time.

Those are my images trackside in downtown Toronto. It was fun to get a brief look at big city railroading. It made the awful baseball game we watched all the more palatable.

Trackside observations in Toronto

So our house is packed and the waiting game nears an end. We are officially ready to move, but we don't have possession of our new home yet. I'm at my work desk in the basement and there's a lull in my day. I figured it was a good time to go over some of my observations from Toronto on June 1, when my family made a quick visit to the city to take our kids to a Blue Jays game (they lost) and the Ripley's Aquarium. You can read about the westward rail journey to Toronto in my previous post.

In that post, I detailed some interesting observations from our train journey from Ottawa's Fallowfield Station all the way through to Cobourg. Our ride included a meet with two CN freight trains, a westbound container train parked in Belleville and another westbound mixed that had stopped for us around Brockville. This was the best shot I could get of the front end of that train from my small window in the ex-CP HEP car. I think the clouds and the trees make this image more interesting. I would have liked to get more of the cab, but this is what you sometimes get when you take photos while in motion.

But let's focus on Toronto. As our train pulled into Oshawa, I was able to get a quick shot of a parked GO Train with the power facing east. Oshawa is usually a busy station, with a yard that holds autoracks for a nearby automotive plant and other freight cars on any given day. I like the fact that these are images I could not otherwise get trackside.

As we headed west, we passed the Metrolinx GO Train maintenance facility in Whitby. It was not easy to get a proper image of the yard, since the glare from my window and the narrow vantage point made it a challenge. I had to touch up this image quite a bit to account for the glare and reflections on our window. I like how this one turned out. There are a lot of trains visible.

This shot also had to be touched up to account for the fact that it was taken behind a narrow window in our passing HEP car. I liked how this one turned out as well. Most of the quick shots I took passing by didn't turn out. But it's always cool to get a behind-the-scenes look at railway facilities from a vantage point that you could never get from public property.

When we entered the home stretch of track leading to Union Station, I didn't expect to see much, but I still kept an eye out for anything. I did make sure to get a shot of this trackside building on Cherry Street. I remember always seeming to notice this building when I rode the train in my university days. It brought back a lot of good memories seeing it again. It's nice to know that, despite all the changes in Toronto over the last few decades, a few old vestiges of its gritty past remain. You can see some light rail (street car?) right-of-way in the bottom right corner of the image.

The tracks leading into Union Station are the exclusive domain of GO Trains, Via Rail intercity corridor trains and the Union Pearson Express. But once in a while, you might catch a few freight cars that are being used for maintenance of way purposes. This was an unexpected catch.

A few ties were on this flat car, but I wasn't sure if they were old ties that had been removed or new ties that were awaiting placement on one of the lines. My guess is they are old ties, given they seemed to be thrown onto the car without any thought to organization. I would expect new ties to be in a neat bundle.

End of the line for us as our train pulled in under the now brightly lit platforms of Union Station. This is quite the contrast with Montreal's platforms, which I was also able to see later in the summer on a quick trip to Montreal with my daughter. The windows and lighting makes for a better first impression of Toronto than travellers had from the old platform. A gleaming GO Train awaits its next run east as we pulled in.

In my brief time in Toronto, I managed to get a bunch more material but I will save that for another post. It has been a really rewarding summer for me as a railfan, as I have taken three trips and acquired a fair bit of new material. It's always good to have too much, for a change.