It's time to change the approach to . . . everything

I've been trying to put into words what it is that I have been trying to do with my rail photography recently, but I think I've fallen short. That was until I read the comments to my last post when a few fellow railfans commented and the words came to mind. So thanks to Steve and J.D.

And here is how I came to clarify my new approach to rail photography. It started with a memory of what my counsellor told me many years ago when I was struggling with my mental health. His name was Woody and what he told me I never forgot. He said, "No one makes you feel anything. People act and you choose how you REact." It was a revelation to me at the time.

That made me think of how I am approaching my photography right now. I thought back to what my counsellor said and I applied it to my hobby. I have no control over what railways do, which is in line with another thing my counsellor told me. He said, "You have no control over anything but yourself." I am applying those lessons in my photography. Since I have no control over how the rail industry has changed, I can at least control how I approach my photos.

So here is my new approach, boiled down to something more pithy, thanks to recent comments from readers and old lessons from my counsellor.

Railways might be more standardized, boring and faceless these days. I don't know if anyone can argue this. I cannot change this.

If you can't change the trains, change everything else in your camera's frame. That means change your angles, your spot, your height, your lighting, your choice of background, your location, your time of day, your approach to the sky, your . . . well, everything. 

This photo above is perhaps not the ideal image to prove my point, but bear with me. In this frame, you can see the interior lights of my Venture coach and the reflection of the laptop screen of the young lady sitting in front of me. I tried to get images that would avoid the interior glare but this is the best I could do. In the image, you can see a string of GO coaches in the background and part of an old Via F40PH-2 in the foreground. The Via engine looks like it has just completed a run from Montreal or possibly Ottawa. It needs to go through the washing station, for sure. The buildings in the background tell you this is Toronto and the platforms tell you this is near Union Station. Put all those elements together, and you have some context about where this photo was taken. 

As for the computer screen in front of me, I do have a funny story to share about that. I couldn't help but notice via the reflection in the glass that the young lady in front of me was attempting to study for an exam or possibly upcoming test. However, she was also clearly messaging friends, which meant her attempts at studying were distracted at best, and I say that nicely. She was mostly messaging. At times on the ride, I wondered when she would give up the ghost with her studies. Whatever it was she was trading messages about was clearly her main focus.

Here's another image that I have come to enjoy. I took this shot at Via Rail's Windsor Station when I paid a very brief visit to the city in 2024. Here you don't see the front end power or much of the train, but you get to see a timeless scene of people boarding an eastbound train for Toronto at the station. I like that you can see the people in silhouette (sort of), a beautiful fall sky, the coaches and the station. It's a scene that could have been captured 20, 30, 40 or even 100 years ago. The trains and stations might look different but the scene is the same. Timeless. 

How many times do we stop to capture a bit of humanity in our images? After all, trains are still a very human endeavor.

Here's an example of angles. I have more photos of Via Rail corridor trains than anything else, so I have given a lot of thought in past years as to how I can capture images of them in different contexts. This is a shot of incoming Sarnia-Toronto Train 84 making its way into Stratford across Niles Street. I deliberately stepped back and made sure I got the people waiting at the crossing (on the left) as well as the cars waiting on the other side. You can also see the railway stop sign. There are many elements in this image, which made the task of framing the train a bit of a challenge, but I like the end result. So often, I find we obsess over getting the train or locomotive itself but lose sight of getting its surroundings. 

I would have liked to attempt this shot from the other side, but the harsh summer sun meant the shadow side of the train would have ruined the image of that train on the curve.

Here's one final image that I captured in February 2021 on the Canadian Pacific Winchester Sub at Bedell, Ontario. There was a maintenance of way crew working on the South Prescott Spur to Oxford Station, with a genuine CP caboose sitting on the spur, offering a warm place for crews to get out of the biting cold. I took a few shots of the caboose but I made sure to back up and get a shot of all the surroundings, so I could have a complete picture. The fencing in the foreground and the enormous pile of ties gives you can idea of the scale of the work being done here. I only wish I could have done a better job with the morning sky, as it did not turn out nearly as crisply as I would have liked. 

With these images, I hope I have made my new approach clear. It's time to change my approach to everything in my rail photography outside of the trains themselves. I've done this in fits and starts over the years, but I'm really trying to make it a major focus going forward. It doesn't mean I'm not taking standard photos anymore. I am. But at a time when everything tends to look the same, the one major thing about rail photography that provides endless variety is your background. And that is what I am trying to change in my images.