Make Railways Interesting Again

Being a railway enthusiast sure is different these days. I am not going to go down the road of saying everything was better when I was young. It wasn't. Some things I found were better while other things were not. But I will say this. Railways have taken on a sameness, for lack of a better term, and it's really affected my enjoyment of rail photography.

Again, I won't say that things aren't what they used to be, across the board, because there are some aspects of railways today I find fascinating. But I cannot get excited by endless container trains, at least in that, once you get your initial photographs of the power up front, there really isn't much left to photograph. The same can be said for most rolling stock. Most covered hoppers are endless strings of grey, with only their alphabet soup of lease company reporting marks to offer any variety. The same has always been true for most tank cars, as this continental fleet has been under the control of leasing companies for far longer than other cars.

The question is what can we do to keep this hobby fresh when there is so much blank space on cars and so little diversity? With most railways not investing much in new rolling stock, there's not much variety in the average freight train. Also, with much of the fleet of fallen flag cars on its way to the scrapper's torch, there's a scarcity of history to capture.

Over the last few years, I have found that I have begun to refine my approach to railfanning quite a bit, without even realizing it. These small changes I have made to my approach have really allowed me to make the most of what there is to capture out there these days. I'm not saying it's for everyone. I understand that there are people younger than me who don't have the same experiences I have in my arsenal, so they don't know what they're missing, so to speak.

For that matter, there are people older than me who could say the same thing about my outlook. I will never know the luxury of their past experiences, so I cannot say whether their time spent trackside while young was better than my time spent trackside when I was young.

So here is my refined approach to railfanning, developed with modern railways in mind. 

1. Don't begin and end your time trackside documenting power only This might be my biggest disappointment when I look at the work of others. It's also a critique I have of my own work at times. So many videos today essentially follow the power to the detriment of actually cataloging the entire train. I try to look for shots of the train from different angles. This means finding interesting trackside infrastructure to frame the entire train against. I find shots of engines with no context are not terribly interesting anymore. Unless I know where the shot is being taken and the context of the train's movements, I am not all that excited.

Look at the shot above from Smiths Falls in 2017 and look at the shot below, taken with details in mind. I know which one I prefer.

 

2. Try and get the big picture This is one of the hardest challenges of rail photography and it often goes against our natural desire to get as close to the action as possible. I think we spend so much time shooting the power that we forget how powerful an image can be when it incorporates an entire train. There is certainly a trade off here. Your shot will not be as close and the train will not be as prominent, but I think it's a good compromise sometimes, when it works out.

 

This shot shows the limitation of my former camera, as I took this shot outside of Sarnia in 2013. I shared similar photos of this train in a past post, but this one at least captures the majority of the train. It also gives you an idea of the train's length as well as the topography outside Sarnia and the time of year. There are many details to consider. 

 

3. Change your perspective This is where I find I am having the most success and fun. I am always on the lookout for a new perspective, whether is be down low, on a bridge, shooting a train on a bridge, or just finding a creative way to capture a train in a way that doesn't mimic a standard rail shot. I think the best recent example of this was when I shot some GO Trains in Toronto in November, when I was travelling between Ottawa and Sarnia. I will have a few posts from Toronto later on.

 

This shot, taken in November, is an example of all the different techniques I have been trying recently. I am on a bridge over the downtown tracks, which means I have a different perspective. I also deliberately framed the cityscape in the shot, and placed the train to the far right of the image. Finally, I didn't zoom in on the train, which would have meant I couldn't capture the entire consist. I deliberately kept the train small in the image, so I could capture the big picture. I also like the look of the many tracks in the photo. I am far more satisfied with this type of image than I would have been with a shot where I zoomed in on the train.

 

4. Look for history This might be the hardest technique as so much rail history has disappeared. When I write about rail history, I'm not talking about steam engines or something that you can only see in a museum, I'm talking about fallen flag cars. I used to shoot images of shortline railway cars and the incentive-per-diem cars that tiny railways built and were still in wide usage when I was younger. I also made sure to get photos of railway fleet cars, which seem to be quite rare now that many railways basically use cars that are part of lease fleets. But, since this is such a challenge, it makes a good catch all the more rewarding!

 

I know that these old Burlington Northern covered hoppers are still fairly common trackside, but for how long? I have photos of old Soo Line covered hoppers that I shot just a few years ago and I haven't seen any since. I like this shot above because I made sure to wait until the yard job in Stratford was passing between the cars so I could grab this shot of the old BN hopper in a unique image.

 

My first thought for this post was to do an exhaustive comparison of how the rail photography hobby has changed since I was younger, but I felt that this approach would come across too much like an angry man shaking his fist at young whippersnappers so I decided to try and take a more even-handed approach.

 

I will say that, unlike when I was younger, today's epically long trains with power on both ends, and often with distributed power in the middle, are something that I never saw when I was younger. And it's a definite improvement for those who are trackside these days. I also like how container trains look from a distance, with so much colour and variety, when taken together as a whole. 

 

See? It wasn't all better back in the day. I'm grateful for what I have now, just I am grateful for what I saw when I was younger. It's all what you make of it. My goal is to make the railways of today, with their lack of diversity, interesting again. Make Railways Interesting Again. MRIA is this year's theme. Let's get to it!

 

Happy New Year everyone. 

Merry Christmas and Happy New Year

It's time to guide this train into the station, take the siding and park it until the new year.

I'm grateful for another year of being able to share my interest in railways with everyone who chose to drop by this blog. A special thanks to my friends who leave a message, give me an idea or steer me in the right direction when I hit a dead end in my railway research. A lot has happened in the past year, which has given all of us no shortage of topics to discuss or kick around, as it were.

Thanks to Eric Gagnon, Steve Boyko, Kevin from Windsor and all the other frequent commenters or fellow bloggers and railfans that have helped me this year. Some choose to stay anonymous, but you know who you are!

Here's hoping that your Christmas is filled with loved ones, great memories, great food, health and happiness. No matter where you call home, I am grateful to be able to share a few rail photos and thoughts with you here, which is home to all.

Thank you to everyone and I'll see you in 2026!

Michael

hammond dot michael 77 AT gmail dot com

  

Thankful for everything, even the faceless grey hoppers

I once had a conversation with my former parish's priest when I was struggling mentally and he said something that changed my life. He asked me a few questions. Did you ever wonder what a miracle it was, he asked, that you walk into a room, flick a switch and light magically appears? Or when you go to the sink, you pull a faucet and clean water appears? He asked me a series of questions like these and it made me rethink my life entirely. His point was simple. He was telling me I was very fortunate to have all that I have in my life. Since that chat, I have come to recognize the blessings in my life at all times, which have made me much more successful in managing my mental wellness.

For our purposes here, I wanted to share a few photographs from my last few months, many of which I have yet to share on this blog. Many of these shots were taken in my journey to Sarnia by train and my journey home to Ottawa.

There's a saying that it's better to be lucky than be good. I'm lucky indeed. As we near Christmas, I'd like to share a few shots in the spirit of gratitude.

This first shot was taken around sunrise on a cold Nov. 24 morning in Sarnia before I left on Train 84 to head to Toronto and eventually back to Ottawa. This train was backing up in the yard when I arrived at the station, before heading west through the tunnel into Michigan. If you look closely, you can see Via Train 84 on the spur beside the station, before it backed onto the main track. The cloud bank over station made for a cooperative sky that cut down on the shadows. I decided to leave the photo as it was, with no correction. This is one of my favourite shots of the year.

 

Here's a quick shot I grabbed aboard my train home from Toronto. The sun was sinking fast and the light would soon vanish, making any further attempts at photographs moot, but I liked that I got two different GO Transit schemes in this shot, along with a bumper in the bottom of the frame. This looked like a layover yard, which was just a short distance east of Union Station in Toronto. I'm thankful that the train home was not heavily delayed anywhere, which as we all know from last week's fiasco in Brockville, is all too common.

 

Yes, I'm even thankful for the old P42s. This is the train that I took from Fallowfield to Toronto on my way to see family in Sarnia. The city was cover in a light film of ice from a messy evening of freezing rain and snow, so getting to escape that to spend the weekend in warmer climes was certainly a bonus. Also, the fact that I was on an older consist meant that there were no speed restrictions on this train. Granted, the delays from being held for freight trains is another story, but I'm trying to stick with my theme of gratitude.

 

This shot is from my July visit to Stratford, where I was lucky enough to catch a few Goderich Exeter Railway trains in the Stratford yard and on the GEXR Goderich Subdivision. I like this shot because I was able to capture a bit of smoke coming out of the old geeps, as the crew assembled its train in the yard before heading northwest down the Goderich Sub. I have many other photos to share from this trip, which I have yet to sort through for the purposes of a thematic post. 

 

 

Here's a shot from August when my family was in Waterloo for a music camp. I always try to make time to go up to St Jacobs to get some shots of the historic collection of locomotives and rolling stock in the Waterloo Central Railway yard. I like this shot because it captures the back end of an old heavyweight passenger car, a RDC Budd car as well as a repainted switcher. Then there are the axles in the foreground. This is the type of shot I am trying to capture more and more these days. I plan a post in the coming weeks to outline what I feel is the state of railfanning right now and how it has changed my perspectives on the hobby.

 

Looking for your thoughts

 

I'm thankful, as well, for blog reader Kevin from Windsor for alerting me to the fact that Firecrown Media has somehow decided to stop shipping its magazines to Canada, despite the fact that people have subscriptions. He told me he cancelled his subscription, as a result of this decision. I went online to see what was happening, as I have not received my latest issue of Classic Trains, which is a quarterly. It appears that the company that took over Kalmbach Media has indeed made this decision, although no one seems to have been notified. Needless to say, I have cancelled my subscription. Classic Trains was one of the few ties I retained to the United States after this spring's tariffs frenzy. Now, I have cut all ties.

 

I don't mean this as a slight against any blog readers from the States. I grew up on the U.S. border, have family in the U.S. and am an avid Detroit Tigers fan. Putting all politics aside, it's just a prudent measure for me to cut ties at this point. 

 

My question to my fellow railfans from Canada is which magazine should I subscribe to in this country to replace Classic Trains? I'm thinking Branchline, as I am a big fan of the Bytown Railway Society. Does anyone have any other suggestions?